Alain Guesnier

The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.

A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…

Ange, the mayor of a distant mountain village in Corsica becoming depopulated has launched a drama workshop supposed to give new life to the region. To this end he is to sign a contract with a cabinet minister for whom the villagers are rehearsing a play. It is the very day of the coming of the minister that Ange chooses to pass away, which infuriates his cantankerous wife Lellè. The contract must be signed anyway but how to go about it, mainly with such a family as Ange's: Rinatu, the nationalist, traditionalist son; Sauveur, the former local policeman turned politician; Marcia, Rinatu's daughter, determined to perform the play at any cost; Ange's two wives, the official one: the bad-tempered Lellè, and the unofficial one, the Indian domestic worker of Indian origin? To say nothing of Pantaleone, the deputy mayor, whose wife has been one of Ange's (numerous) mistresses.

They turned 20, share the same dreams of glory. She is French of Arabic origin, struggles with her community to get some freedom. He has never met his parents, has no culture. Are their dreams strong enough to build a love story?

Yves Le Guen, a black man with a degree in economics, is hired as a handyman on the property of Mr. Moreau, a rich public works contractor. His arrival is going to upset the daily life of the inhabitants of the house.

On vacation in the country, a group of friends are requisitioned by a city official to work at the slaughterhouse.

The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.

A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…

Ange, the mayor of a distant mountain village in Corsica becoming depopulated has launched a drama workshop supposed to give new life to the region. To this end he is to sign a contract with a cabinet minister for whom the villagers are rehearsing a play. It is the very day of the coming of the minister that Ange chooses to pass away, which infuriates his cantankerous wife Lellè. The contract must be signed anyway but how to go about it, mainly with such a family as Ange's: Rinatu, the nationalist, traditionalist son; Sauveur, the former local policeman turned politician; Marcia, Rinatu's daughter, determined to perform the play at any cost; Ange's two wives, the official one: the bad-tempered Lellè, and the unofficial one, the Indian domestic worker of Indian origin? To say nothing of Pantaleone, the deputy mayor, whose wife has been one of Ange's (numerous) mistresses.

They turned 20, share the same dreams of glory. She is French of Arabic origin, struggles with her community to get some freedom. He has never met his parents, has no culture. Are their dreams strong enough to build a love story?

Yves Le Guen, a black man with a degree in economics, is hired as a handyman on the property of Mr. Moreau, a rich public works contractor. His arrival is going to upset the daily life of the inhabitants of the house.

On vacation in the country, a group of friends are requisitioned by a city official to work at the slaughterhouse.

Marie is twelve. When she must return to boarding school after summer vacation, she runs away. After five years at sea, François, 35, anchors ship with the aim of getting together with the woman of his dreams. But he feels uneasy with solid ground beneath his feet and takes to his heels. He and Marie cross paths. She’s a runaway kid looking for a world steadfast and true... and a dad to adopt.

Marie is twelve. When she must return to boarding school after summer vacation, she runs away. After five years at sea, François, 35, anchors ship with the aim of getting together with the woman of his dreams. But he feels uneasy with solid ground beneath his feet and takes to his heels. He and Marie cross paths. She’s a runaway kid looking for a world steadfast and true... and a dad to adopt.

Marie is twelve. When she must return to boarding school after summer vacation, she runs away. After five years at sea, François, 35, anchors ship with the aim of getting together with the woman of his dreams. But he feels uneasy with solid ground beneath his feet and takes to his heels. He and Marie cross paths. She’s a runaway kid looking for a world steadfast and true... and a dad to adopt.