
Acting
Chitra Dewi
Born 1930-01-26 · Cirebon, West Java, Indonesia
Roro Patma Dewi Tjitrohadikusumo (26 January 1934 – 28 October 2008), known as Chitra Dewi was an Indonesian actress, producer, writer and director. Her name began to be known to the public when she starred in the film Tiga Dara with Mieke Wijaya and Indriati Iskak . Chitra Dewi is one of the actresses who became a director in the world of Indonesian films, which is still rare. Others are Ratna Asmara (Tuberose Night, 1950) and Sofia WD (South Storm, 1960). The first time he played in Tamu Agung (1955), but his name was only known through Tiga Dara (1956) with his 'younger siblings' Mieke Wijaya and Indriati Iskak. Apart from being in demand, the film also made it more successful and the game more mature. Through his own company, namely Chitra Dewi Film Production, he became a director in the film Horsemen of Tjimande, Dara-Dara and Bercinta Dalam Gelap, all of which were produced in 1971. In addition, he has been a producer in 2 x 4 Djam (1969) and Samiun & Dasima (1970). After starring in Tiga Dara, his games that were considered prominent were through Pedjuang (1960), Samiun and Dasima (1970), Bulan Above the Grave (1973), Kemelut Hidup (1977) and Gara Gara Muda Wife (1978). In this last film, she won the Citra Award for a female supporting actress at FFI 1979. When asked about her career as a producer she said that she had given up making films. His career as a player is still in demand 40 years after his first film, although not a major role. He also appeared on the screen. Due to his dedication to the world of film, he was awarded the Professional Loyalty Award in 1992 from the National Film Council.
Acting credits
8.3Set at the end of the Majapahit era, Bre Wirabhumi, son of Hayamwuruk, but born from a concubine, demands his right to be king of Majapahit. The kingdom is then ruled by Wikramawardhana, son-in-law of Hayamwuruk. To rival Majapahit, Bre Wirabhumi creates the Pamotan kingdom and looks for allies amongst other kingdoms. This creates confusion among the kingdoms friendly with Majapahit. Brama Kumbara (Fendy Pradana) from the Madangkara kingdom tries to settle the dispute. What happens instead is a misunderstanding that leads to the death of Brama’s envoy. Even worst, the lover of the murderer, Lasmini (Murti Sari Dewi), takes revenge by kidnapping Brama’s wife. The conflict then escalates into the Paregreg war between Majapahit and Pamotan.
Saur Sepuh: The Knight of Madangkara
1988
No synopsis available yet.
Djumpa Diperjalanan
1961
No synopsis available yet.
Tak Terduga
1960
NRReminiscent of the Rocky film starring Sylvester Stallone, Rio has to use his fists to make a living as an illegal parking man. When the parking area is taken over by the local government, Rio loses his livelihood. Mursali then helps him by offering his taxi for driving at night. Again he has to use his fists on this new job, but when he meets Lia, she advises Rio to become a boxer. So he goes to Oom Eddy’s boxing gym and his career takes off. But Lia distracts him from his training and his fights. He also forgets about his girlfriend in the village, Sinta (Ayu Azhari). His losing streak begins and then Lia dies during an abortion. So Rio goes back to his village. Oom Eddy and Rio’s friends try to lift his spirit up again. Then Rio returns to the boxing ring, and is victorious once more.
Rio Sang Juara
1989
NRArman’s father denies his request for a toy gun, but his mother allows it. With that toy gun, Arman forms a squad called “Berani Mati” or “Ready to Die” with his friends, Hamdan and others. The security in the neighborhood is threatened by the mischief of Bang Hamid, and Arman and his squad, successfully prevent a burglary by him. The residents are proud to have such brave boys in the neighborhood.
Djendral Kantjil
1958
Set in the real event of the sinking of the KRI Macan Tutul in the Trikora area, Wahab Abdi is an officer of that boat. As he is pronounced dead, his girlfriend, Liliana, marries another man. But Wahab is not dead; he is hospitalised in the navy hospital. Later, his nurse, Shinta Dungga, falls in love and marries Wahab at the end.
Gita Taruna
1966
NRMiranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.
Mist of Purple Silk
1979
NRDrawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.
Samiun dan Dasima
1970
NRThere is a street food stall in a village where unemployed men hang around, singing and gambling. Ani’s parents and Heri’s father, a judge, are angered by the gambling. But Rhoma, son of a poor widow, often sings his self-composed songs there, as he is still unemployed. A friend suggests that he should go to a recording company. He succeeds and his songs are hits. Then Heri falls in love with Ani, Rhoma’s girlfriend. So he conspires with the friends that he often gambles with at the eatery, and when Rhoma tries to help a hostess who has been killed, he is instead accused as the murderer and jailed. In the end, the true murderer is discovered, and Rhoma and Ani can be together again.
Begadang
1978
8.0Three sisters—Nunung, Nana and Nenny—are being raised by their grandmother in Jakarta after their mother's death. Though the sisters' father Sukandar lives with them, he is too involved in his own work to pay them heed.
The Three Maidens
1956
Tells the story of Bratasena's ambition to take power, but meets resistance from Banyu Biru and Jaka Pratama. Bratasena did everything she could to make her wish come true, and vice versa. Banyu Biru and Jaka Pratama are ready to sacrifice their lives to defend the truth.
The Master Sword
1993
Pringgo, a wealthy businessman, catches his fiancée making out with another man. In a frustrated state, Pringgo has a car accident. According to the doctors who treat him, Pringgo has to undergo surgery to cure his paralysis. But he doesn’t have the courage and loses the hope to live. While he is treated in a sanatorium, Pringgo gets acquainted with Astuti, a frustrated girl. They finally get married, although in the beginning the relationship is based on pity rather than love. Mrs. Heru, Pringgo’s sister, and Mrs. Brasti, head of Pringgo’s household, oppose this marriage. Mrs. Brasti manages to harm Astuti, which is found out by Pringgo. Then Mrs. Brasti is fired. Gradually he realises how much Astuti really loves him and not for the money he has. Thus Pringgo finds his life spirit back, and has the courage to undergo surgery.
A Bud of White Rose
1981
8.0An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.
Exalted Guest
1955
6.0About Ario Petak (Pendekar Bukit Tengkorak) revenge Bargo Wirogo's Killed parents him was.
Pendekar Bukit Tengkorak
1989
NRRiding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.
Penunggang Kuda dari Tjimande
1971
NRWhile studying in the Philippines, Cokorde Gde Rai meets Angelo Reyes, who is planning to go to Indonesia to enhance his knowledge as a botanist. Before going to Bali, Cokorde takes him to sightsee, to Borobudur and other places. After a few days in Bali, Reyes’ girlfriend, Liza Presler, arrives. But there is a problem as Reyes has fallen for Aryani, sister of Suryati, who is the girlfriend of Cokorde. Liza tries to stand in between Reyes and Aryani, and she fails. At the end, Liza gets Raka instead, who initially proposed to Aryani, but failed as she had chosen Reyes.
Holiday in Bali
1962
NRAmidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.
Nji Ronggeng
1969
NRA straight-laced college graduate from the city and a poor villager from the country become rivals on the Indonesian rock 'n' roll scene.
Two Frizzy-Haired Guys
1977
8.0The residents of a dormitory led by Bu Siti each have their own personal issues. Tari, a dance student, falls in love with a man old enough to be her father. Rahimah, a medical student, is about to be forced into marriage in her village but is rescued by Nasrul. Maria, a flight attendant, gets entangled in a love quadrangle. She is loved by Imansyah, a co-pilot, but Maria is more attracted to Broto, a wealthy merchant. However, Broto himself is more interested in Sita, a dance instructor. Additionally, two teenagers, Ani and Ina, are placed under Bu Siti's care because their parents are preoccupied with politics. All these problems are resolved in a comedic manner.
Girl's Dormitory
1958
7.0Story about brotherhood.
Jurus Dewa Naga
1989
Father gambles away his fortune, leaving the family penniless. Bambang Irawan leaves for the city to make money. He works for a wholesale company and is later adopted by the owner. He begins a romance with the wholesaler’s daughter and also with another girl who lives in the same house. But Bambang also has to deal with some naughty boys who also have their eyes on the wholesaler’s daughter.
Semusim Lalu
1964
10.0Joki Tobing, a rebellious young man, arrives from Medan and works as a reporter. His reports cause him to be fired by his chief editor, and even his uncle, in whose house he is staying, throws him out. He reports on his uncle’s corruption, which also relates to his own father.
Love Terminal
1977
NRRhoma, aka Budi, a vagabond again, is hit by a motorcyclist on a rainy day. Budi is taken back by friends and treated. Meanwhile, Ani finally finds the sick Budi. They then meet often causing Surya to become suspicious and he finally catches them together at Budi’s place. Ani is forced home. Budi urges his friends to stop playing music on the street like beggars. He becomes a taxi driver while some of his friends sell newspapers or work as construction workers. Then Budi disguises himself with a thick moustache and sunglasses and goes to Ani’s house as a piano teacher. Now Ani and Budi can be together freely in her house. Meanwhile, a taxi passenger hears Budi singing to himself and offers musical instruments that he just bought. Budi forms a dangdut (traditional Indonesian music) group with his friends and calls it Soneta, which quickly gains success.
Berkelana II
1978
Amalia SH is a lawyer from the Legal Aid Institute. He visits his best friend, Frans, who is being held for extortion. Frans doesn't want to be defended. Amalia is curious. From the results of his investigation, she found Frans's diary at his parents' house. From the diary it was concluded that Frans had been naughty since childhood, his father had kicked him out for stealing. He then lived a vagrant life, until he was accommodated to become a debt collector in a company. It is in this job that he becomes acquainted with and befriends Bambang and Amalia. Frans secretly loves Amalia but doesn't dare to tell it.
Amalia, Bachelor of Law
1981
Behind the camera
NRDrawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.
Samiun dan Dasima
1970
NRSri Lestari and her fiancé, Joni are invited to an empty house. Instead, he is met by a policeman who asks him to the police station for questioning. Joni then calls his future mother in law, Rahayu, who later on, pays a visit. When Joni goes back to the police station, Rahayu had left behind a letter after taking poison. The letter tells her life story, about her husband, Yono, who had many wives and liked to sleep around. This prompted Rahayu to get a divorce and start an affair with her former lover, Jufri. But Yono is angry when he finds out about the affair. He fights with Jufri, but ends up being killed by Jufri. In panic, Jufri runs out of the house and is killed by an oncoming truck. Then Rahayu goes to her aunt’s house claiming that Yono has remarried. Frans, the maid begins to blackmail Rahayu but Rahayu later poisons her. All of this happens when Lestari was five years old.
Bertjinta dalam Gelap
1971
NRSri Lestari and her fiancé, Joni are invited to an empty house. Instead, he is met by a policeman who asks him to the police station for questioning. Joni then calls his future mother in law, Rahayu, who later on, pays a visit. When Joni goes back to the police station, Rahayu had left behind a letter after taking poison. The letter tells her life story, about her husband, Yono, who had many wives and liked to sleep around. This prompted Rahayu to get a divorce and start an affair with her former lover, Jufri. But Yono is angry when he finds out about the affair. He fights with Jufri, but ends up being killed by Jufri. In panic, Jufri runs out of the house and is killed by an oncoming truck. Then Rahayu goes to her aunt’s house claiming that Yono has remarried. Frans, the maid begins to blackmail Rahayu but Rahayu later poisons her. All of this happens when Lestari was five years old.
Bertjinta dalam Gelap
1971
NRSri Lestari and her fiancé, Joni are invited to an empty house. Instead, he is met by a policeman who asks him to the police station for questioning. Joni then calls his future mother in law, Rahayu, who later on, pays a visit. When Joni goes back to the police station, Rahayu had left behind a letter after taking poison. The letter tells her life story, about her husband, Yono, who had many wives and liked to sleep around. This prompted Rahayu to get a divorce and start an affair with her former lover, Jufri. But Yono is angry when he finds out about the affair. He fights with Jufri, but ends up being killed by Jufri. In panic, Jufri runs out of the house and is killed by an oncoming truck. Then Rahayu goes to her aunt’s house claiming that Yono has remarried. Frans, the maid begins to blackmail Rahayu but Rahayu later poisons her. All of this happens when Lestari was five years old.
Bertjinta dalam Gelap
1971
NRRiding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.
Penunggang Kuda dari Tjimande
1971
NRRiding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.
Penunggang Kuda dari Tjimande
1971
NRRiding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.
Penunggang Kuda dari Tjimande
1971
Four girls (Renny Asmara, Tjetty Wulansari, Aty Rochadiaty, Aminah Cenderakasih) live together in a boarding house. They are romantically involved with four different men (Iwan Taruna BA, Rachmat Kartolo, Pong Hardjatmo, Jopic Burnama). There are relationships that are affairs, platonic love, and the story of a secretary who is sleeping with her boss, but ends up marrying the director's employee. The early part of the film is filled with erotic scenes exploiting the girls, and later on, features comical moments.
Dara-Dara
1971
Four girls (Renny Asmara, Tjetty Wulansari, Aty Rochadiaty, Aminah Cenderakasih) live together in a boarding house. They are romantically involved with four different men (Iwan Taruna BA, Rachmat Kartolo, Pong Hardjatmo, Jopic Burnama). There are relationships that are affairs, platonic love, and the story of a secretary who is sleeping with her boss, but ends up marrying the director's employee. The early part of the film is filled with erotic scenes exploiting the girls, and later on, features comical moments.
Dara-Dara
1971
Norman’s house is robbed but one of the robbers, Bing, is captured when his car hits a building. Bing is the husband of Hayati, Norman’s ex-fiancee. The leader of the gang, Wikarta, kidnaps Bing’s wife and children to ensure that Bing will not confess to the police. Wikarta, is actually in love with Hayati, and takes the opportunity to win her heart. The victim of the robbery, Norman, decides to take matters into his own hands, and gangs up with Godfried, a reformed criminal. The police set their deadline: two times 24 hours. When they finally catch the crooks, it is proven that Bing was forced to join the robbers because he lost too much in gambling.
Dua Kali Duapuluh Empat Djam (2 X 24 Djam)
1967