Production
David Pollison
Born 1966-11-12 · Trenton, New Jersey, USA
Born in Trenton, but grew up along the near-mythical Springsteen Jersey Shore... Point Pleasant. After graduating from Ithaca Film School, he moved to Los Angeles where he briefly worked for The Walter Partos Agency and Disney's product placement department as an intern before finding his near permanent home with Renaissance Pictures. In one way or another, he was worked for them since Darkman (1990). He's done work as a second-unit director for both Renassiance (Xena) and other Independent or up and coming filmmakers. His somewhat imposing personal style has gotten him more than a few roles as bad guys, bank robbers, mad biker-killers and other such fare in films and music videos. He has had a disturbing recurring role as a Death Metal High Priest, Wheatley (named after horror writer Dennis Wheatley) in Jim VanBebber's music videos for Death Metal band Necrophagia. Pollison and his wife, Lisa Feerick Pollison are considered authorities on World Cinema, especially Asian & Scandinavian Film. He used his expertise in Hong Kong action films to good use during the development of the Xena and Hercules Televisions productions. The Hong Kong Origins of Xena's character and his involvement were written up in the official Xena Magazine. Pollison was employed with Ghosthouse productions, working with Rob Tapert on films such as The Grudge and The Bogeyman. He then moved to Ghost House Underground , Ghost House Productions' independent releasing arm for DVDs, limited release films and streaming platforms. Although Ghosthouse Underground has since been folded back into the main company, Pollison remains a Consultant for Ghost House as well as Bloody Disgusting and other Indie releasing companies as a buyer and development associate.
Acting credits
7.3Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
Army of Darkness
1992
6.8Shocking music videos and interviews with Necrophagia. Film works as an introduction to the underground that influences this particular music movement and showcases moments of intense performances.
Through Eyes of the Dead
1999
NRA turf war has been raging in Oldtown for generations. On one side, The Syndicate - an evil gang of crank-head misfits, who has been set on muscling the San Diego family out of the parcel of land they own in the center of town. On the other side, the San Diego family: Tony and Johnny - twin brothers, and their sister Salsa are the last of a bloodline that stretches back for generations. Their mother, father and brothers were all brutally murdered in a violent clash with The Syndicate years earlier. With their neighborhood becoming increasingly fearful, The Syndicate puts into action another evil advance on their family's fading legacy by kidnapping Salsa - all hell breaks loose. The twins and their best friend Chuck Hank must decide whether to hand over the deed to their families land in order to save their sister or fight, the final fight!
Chuck Hank and the San Diego Twins
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