Mark Colleano

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

Only Fools and Horses.... Is a British sitcom created and written by John Sullivan. Seven series were originally transmitted on BBC One from 1981 to 1991, with sixteen sporadic Christmas specials aired until 2003. In working-class Peckham in south-east London, ambitious market trader Derek 'Del Boy' Trotter and his younger half-brother Rodney, explore their highs and lows in life, in particular their attempts to get rich. Initially not an immediate hit and receiving little promotion early on, it later achieved consistently high ratings, and the 1996 episode "Time on Our Hands" (originally billed as the series finale) holds the record for the biggest UK audience for a sitcom episode, attracting 24.3 million viewers. The series bears a significant influence on British culture, contributing several words and phrases to the English language.

Anthology series of half hour plays produced in BBC's Television Centre's studios.

Justice is a British drama television series which originally aired on ITV in 39 hour-long episodes between 8 August 1971 and 16 October 1974. Margaret Lockwood stars as Harriet Peterson a female barrister in the North of England. It was made by Yorkshire Television and was based loosely on Justice Is a Woman, an episode of ITV Playhouse broadcast in 1969 in which Lockwood had previously also played a barrister. The theme music was Crown Imperial by William Walton.

Resistance leader Omar Mukhtar opposes Italian colonization before World War II. The brutal guerrilla war against Italian General Rodolfo Graziani and the Fascist forces of Benito Mussolini highlights the struggle for Libyan independence and the harsh tactics utilised by the colonisers.

Fresh Fields is a British situation comedy written by John T. Chapman and produced by Thames Television for ITV between 7 March 1984 and 23 October 1986. A ratings success at the time, the show is well remembered for its opening titles featuring a silhouette of a person in a rocking chair. It stars Julia McKenzie and Anton Rodgers as Hester and William Fields, a devoted middle-class couple with an idyllic suburban lifestyle. William works while Hester keeps home. The crux of the show was that she was always looking to try new hobbies or find ways to improve her life, much of which exasperated her hard-working husband. The family home had a granny flat attached, in which Hester's mother Nancy lived. She was divorced from Hester's father Guy although remarried him as the series progressed. The couple had a daughter called Emma who frequently telephoned but never appeared. Her husband Peter did appear often. They later had a son — the Fields' first grandchild — whom they named Guy, after his great-grandfather. Perhaps, the best remembered supporting character was Sonia Barrett who would frequently pop round to borrow items to replace hers due to breakage, theft or mislaying. Hester was not perturbed by this, as the two were close friends, but it used to irritate William. Sonia had the show's only catchphrase — she would always knock on the back door of the Fields' home and then say It's only Sonia! as she walked in. This would sometimes lead to applause of recognition from the studio audience, a phenomenon more regularly seen within American sitcoms. Sonia's husband John appeared on occasion, as did William's secretary Miss Denham, played by Daphne Oxenford.

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

Only Fools and Horses.... Is a British sitcom created and written by John Sullivan. Seven series were originally transmitted on BBC One from 1981 to 1991, with sixteen sporadic Christmas specials aired until 2003. In working-class Peckham in south-east London, ambitious market trader Derek 'Del Boy' Trotter and his younger half-brother Rodney, explore their highs and lows in life, in particular their attempts to get rich. Initially not an immediate hit and receiving little promotion early on, it later achieved consistently high ratings, and the 1996 episode "Time on Our Hands" (originally billed as the series finale) holds the record for the biggest UK audience for a sitcom episode, attracting 24.3 million viewers. The series bears a significant influence on British culture, contributing several words and phrases to the English language.

Anthology series of half hour plays produced in BBC's Television Centre's studios.

Justice is a British drama television series which originally aired on ITV in 39 hour-long episodes between 8 August 1971 and 16 October 1974. Margaret Lockwood stars as Harriet Peterson a female barrister in the North of England. It was made by Yorkshire Television and was based loosely on Justice Is a Woman, an episode of ITV Playhouse broadcast in 1969 in which Lockwood had previously also played a barrister. The theme music was Crown Imperial by William Walton.

Fresh Fields is a British situation comedy written by John T. Chapman and produced by Thames Television for ITV between 7 March 1984 and 23 October 1986. A ratings success at the time, the show is well remembered for its opening titles featuring a silhouette of a person in a rocking chair. It stars Julia McKenzie and Anton Rodgers as Hester and William Fields, a devoted middle-class couple with an idyllic suburban lifestyle. William works while Hester keeps home. The crux of the show was that she was always looking to try new hobbies or find ways to improve her life, much of which exasperated her hard-working husband. The family home had a granny flat attached, in which Hester's mother Nancy lived. She was divorced from Hester's father Guy although remarried him as the series progressed. The couple had a daughter called Emma who frequently telephoned but never appeared. Her husband Peter did appear often. They later had a son — the Fields' first grandchild — whom they named Guy, after his great-grandfather. Perhaps, the best remembered supporting character was Sonia Barrett who would frequently pop round to borrow items to replace hers due to breakage, theft or mislaying. Hester was not perturbed by this, as the two were close friends, but it used to irritate William. Sonia had the show's only catchphrase — she would always knock on the back door of the Fields' home and then say It's only Sonia! as she walked in. This would sometimes lead to applause of recognition from the studio audience, a phenomenon more regularly seen within American sitcoms. Sonia's husband John appeared on occasion, as did William's secretary Miss Denham, played by Daphne Oxenford.

Duty Free is a British sitcom written by Eric Chappell and Jean Warr that aired on ITV from 1984 to 1986. It was made by Yorkshire Television.

Chance in a Million is a British sitcom broadcast between 1984 and 1986, produced by Thames Television for Channel 4. The series was co-written by Andrew Norriss and Richard Fegen and starred Simon Callow and Brenda Blethyn. The producer and director of the series was Michael Mills.

A short-lived horror anthology broadcast in the United Kingdom weekly from 11 April until 16 May 1968 on BBC Two. However, following viewer complaints of its unsuitability, it was pulled, with four of six episodes believed lost (the third episode resurfaced as a 16mm black-and-white film telerecording in 2016, and the first in 2026).

The dissolution of an 18-year marriage, seen first from his point-of-view and then from hers.