Aleksandr Krivonos

Research in the field of memory is being conducted under the leadership of Academician Arkhipov. He, like many other thinking people, is not indifferent to the purposes for which scientific discoveries can be used and how modern they are.

The dramatic story of three great Russian avant-garde painters from the beginning of the last century – Kazimir Malevich, Pavel Filonov and Vladimir Tatlin – and their supporter, Nikolai Punin, the first post-revolution Commissar of the Hermitage and Russian Museums. They dedicated their lives to belief in the revolution and its connection to avant-garde art, but the communist regime betrayed them. The history depicted on the painted canvases reflects the tumultuous period of the 1920s and 30s in the Soviet Union, in Leningrad and in artistic circles of the time. Only with perestroika have the avant-garde paintings, stored in museum archives, again seen the light of day.

The Skyscrapers of Moscow

Research in the field of memory is being conducted under the leadership of Academician Arkhipov. He, like many other thinking people, is not indifferent to the purposes for which scientific discoveries can be used and how modern they are.

The dramatic story of three great Russian avant-garde painters from the beginning of the last century – Kazimir Malevich, Pavel Filonov and Vladimir Tatlin – and their supporter, Nikolai Punin, the first post-revolution Commissar of the Hermitage and Russian Museums. They dedicated their lives to belief in the revolution and its connection to avant-garde art, but the communist regime betrayed them. The history depicted on the painted canvases reflects the tumultuous period of the 1920s and 30s in the Soviet Union, in Leningrad and in artistic circles of the time. Only with perestroika have the avant-garde paintings, stored in museum archives, again seen the light of day.

The Skyscrapers of Moscow