Marc Fischer

After surviving a racist attack, state prosecutor Seyo Kim takes her own case to court – confronting both the perpetrators and a justice system that turns a blind eye to right-wing extremism.

The lawyer Franziska Schlüter works for the Aescuria insurance and is responsible for processing applications for disbursement of occupational disability policies. The company policy provides as a guideline to prevent the approval as far as possible. When the widow of a victim, who committed suicide after being rejected, storms the office to loudly accuse these machinations, Franziska begins to doubt the correctness of her work and to rethink. She quits and works as a freelance lawyer to help injured parties legally to get their rights. First she deals with the case of a family in the neighborhood. The father has been in a wheelchair since an accident. However, the Strelaus have not yet seen any money from the insurance company. Initially not taken seriously by colleagues, the shy woman takes on the fight against the health insurance system and has to fight against resistance and above all with her own self-doubt.

While the world is in lockdown as a result of the COVID-19 pandemic, Lore has to cope with a painful loss: her mother has died. Back in the small town of Erkelenz in North Rhine-Westphalia, she struggles against entrenched family structures and a paralyzing bureaucracy. Above all, she has to find a way to come to terms with the death and say goodbye to her mother.

The gifted, charismatic artist John Cranko moves to the Swabian province from London, where he is attacked for his homosexuality, and after many crises becomes the great sensation as the new pop star of the arts: the Stuttgart Ballet Miracle.

Although hostess Brigitte and life-loving schoolgirl Paula only meet in person once, their fates and lives are closely intertwined.

Peter Weiss’ monumental 1965 stage play, among the greatest artworks on the Holocaust, condenses the testimonies of witnesses and the accused during the Frankfurt Auschwitz Trials of 1963-1965. This ultra-faithful film adaptation builds, across four hours, in its intensity and graphically described detail.

1945. The International Military Tribunal begins its work in Nuremberg. A huge number of people from all over the world come to the trial, which will later be called the Trial of the Century: the city is crowded with journalists, lawyers, translators, witnesses and many participants and employees of the process.

The story follows Lara, a 16 years old girl, and her long and exhausting battle against anorexia. But can you heal someone who doesn't believe they're sick?

A husband and wife struggle with their consciences after they try to conceal a terrible crime committed by their teenage daughter.

In a magic realistic world, troubled young Bernard seeks the closeness of his father Carlos, who refuses a life-saving operation. His approaching death causes Bernard to reevaluate his environment and himself.

Four troubled friends who despite the feeling that they live standardized lives share a flat under the sceptical looks of their neighbours.

A nearly finished construction site. The wiring is completed, the walls are painted, the final inspections are being done. The construction manager Thomas Zetzsche is proud of his achievement. The prestigious building he created is a modern dream come true. But suddenly that dream begins to crumble as more and more defects appear. Cables run into dead ends, the fire protection malfunctions and entire rooms go missing. Desperately Thomas is trying to fix the building until he finally accepts that the opening date has to be postponed. Now he must confront his own responsibility in this faulty system and draw the necessary consequences

After her boyfriend becomes extremely ill, Mascha re-evaluates her path and decides to leave her previous life behind. But it's only by returning home that she can find peace.

It is summer and five overly-seasoned college students have been given the task of writing a group paper on Franz Kafka’s “The Country Doctor.” At first they are reluctant, but in a cloud of hashish they come up with the idea to film the story instead. Their film location is a campsite in Sicily, which they had already booked ages ago for summer vacation. The technical department consists of a couple “unique” men from the Vienna film scene. To everyone’s surprise, they even manage to get Kafka himself to play a supporting role in the film.

Clara travels to the south of France to take care of all of the paperwork after the death of her long-lost twin sister Yvonne. There, she meets David, her deceased sister’s husband, at his country estate. Instead of just taking care of all the formalities and trying to put her sister’s suppressed life behind her, Clara develops a yearning attraction to this an unknown lifestyle. Sensing encouragement from David, she slips into Yvonne’s role and, together, they dream up a new everyday reality. But when Frank, a supposed business partner of David’s, shows up, the schizophrenic idyll turns into a merciless game of cat-and-mouse.

Elevator-phobic Buchmann is supposed to learn to ride an elevator on his own as part of a therapy program. But when an uninvited passenger joins him, Buchmann needs nerves as strong as elevator ropes.