Horacio Peterson

A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.

Hands sculpted in stone, hidden in the niches of an ancient house, are regarded as sources of a curse by the present inhabitant, a country gambling addict. Indeed, he goes to an early grave after experiencing bankruptcy. The house passes to another family, one of whose sons becomes obsessed with the hands. (A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.)

Young newlywed girl about to embark on her honeymoon persuades older family friend to assist her in an extensive search for her missing husband. A road-trip full of comical misadventures ensues.

This beautiful, atmospheric Chilean movie (made by an Argentinian director) was unfortunately "cannibalized" by Jerry Warren, who kept about a third of the original footage, together with another third of "La dama de la muerte" (another superb Chilean movie of the same period, made by Argentinian director Carlos Hugo Christensen), then added his own senseless "additional sequences" with John Carradine and Katherine Victor, the final result being the atrocious CURSE OF THE STONE HAND.

A bloodthirsty and cruel lord increases his fortune by overpowering timid and ignorant peasants. Riccardo and his partner Hilda work to ensure that justice is done.

A young man in love suffers the unspeakable because of a seemingly guilty woman.