Claudio Remedi

Documentary about the town of Sierra Grande, a city in the southeast of the province of Río Negro, which until 1992 relied on an iron ore mine whose mine was closed by government decree, triggering the exodus of its inhabitants.

Documentary film about Argentinian filmmaker Fernando Birri. An interview: a journey through documentary filmmaking, his childhood, the dawning of New Latin American cinema...

A story where the magical world of two ten year old friends contrasts with everyday conflicts of working families in the industrial city of Berisso.

No synopsis available yet.

Documentary about the roadblocks in 1996 and 1997 in Cutral-Có.

The Armenian genocide is an open wound on humanity. The diaspora of the survivors crossed distant countries. One of them was Argentina. History portrays Buenos Aires and Yerevan, the Armenian capital, as cities preparing to commemorate more than 100 years of a genocide that is still hidden.

Documentary about the town of Sierra Grande, a city in the southeast of the province of Río Negro, which until 1992 relied on an iron ore mine whose mine was closed by government decree, triggering the exodus of its inhabitants.

Documentary about the town of Sierra Grande, a city in the southeast of the province of Río Negro, which until 1992 relied on an iron ore mine whose mine was closed by government decree, triggering the exodus of its inhabitants.

Documentary about the town of Sierra Grande, a city in the southeast of the province of Río Negro, which until 1992 relied on an iron ore mine whose mine was closed by government decree, triggering the exodus of its inhabitants.

Documentary film about Argentinian filmmaker Fernando Birri. An interview: a journey through documentary filmmaking, his childhood, the dawning of New Latin American cinema...

A story where the magical world of two ten year old friends contrasts with everyday conflicts of working families in the industrial city of Berisso.

A story where the magical world of two ten year old friends contrasts with everyday conflicts of working families in the industrial city of Berisso.

No synopsis available yet.

Documentary about the roadblocks in 1996 and 1997 in Cutral-Có.

Documentary about the roadblocks in 1996 and 1997 in Cutral-Có.

The Armenian genocide is an open wound on humanity. The diaspora of the survivors crossed distant countries. One of them was Argentina. History portrays Buenos Aires and Yerevan, the Armenian capital, as cities preparing to commemorate more than 100 years of a genocide that is still hidden.

The Armenian genocide is an open wound on humanity. The diaspora of the survivors crossed distant countries. One of them was Argentina. History portrays Buenos Aires and Yerevan, the Armenian capital, as cities preparing to commemorate more than 100 years of a genocide that is still hidden.

The Conquest of the Desert was the offensive of the Argentine State to evict the indigenous peoples of Patagonia in order to advance over vast portions of land, fragment them, and market them. Beyond the military campaign there were a series of extermination operations. An unwritten final solution supported by forced exodus, concentration camps, the elimination of the indigenous families through starvation, disease or slave labor. The protagonists of The Invisible History are descendants of the Mapuches who are trying to reconstruct their original identity. The film makes the wound, which is still open, visible, in order to make room for debate on a different conception of the country, inclusive and multicultural.

The Conquest of the Desert was the offensive of the Argentine State to evict the indigenous peoples of Patagonia in order to advance over vast portions of land, fragment them, and market them. Beyond the military campaign there were a series of extermination operations. An unwritten final solution supported by forced exodus, concentration camps, the elimination of the indigenous families through starvation, disease or slave labor. The protagonists of The Invisible History are descendants of the Mapuches who are trying to reconstruct their original identity. The film makes the wound, which is still open, visible, in order to make room for debate on a different conception of the country, inclusive and multicultural.