Petra Zlonoga

Everything that is alive is hungry; seed is hungry for light, bird is hungry for flight, man is hungry for the touch of another. The seed of longing grows into what feeds us.

Among the garbage heaps of a big landfill on a Croatian island, Zoki uncovers a microcassette. A close study of the discarded object serves as a tribute to chance and imagination.

An audiovisual weave in which an animated line represents the warp, while the female voice represents the filling. She who weaves and that what is woven intertwine through time.

I was one of many. I was one of everyone. And many were me. Croation animator Petra Zlonoga, who charmed us with the wonderful Dota (LIFF 2017), has created another disarmingly elegant Animator. A soulful journey of self-discovery, with a graceful and elemental spirit of creation, her new film is a twinkling, cosmological study, teeming with life and delicacy.

It problematizes love relationships through the institution of marriage, asking the question of how to promise someone eternal love, if it is an emotional transformation day by day, as well as a relationship itself.

Everything that is alive is hungry; seed is hungry for light, bird is hungry for flight, man is hungry for the touch of another. The seed of longing grows into what feeds us.

Everything that is alive is hungry; seed is hungry for light, bird is hungry for flight, man is hungry for the touch of another. The seed of longing grows into what feeds us.

An audiovisual weave in which an animated line represents the warp, while the female voice represents the filling. She who weaves and that what is woven intertwine through time.

An audiovisual weave in which an animated line represents the warp, while the female voice represents the filling. She who weaves and that what is woven intertwine through time.

I was one of many. I was one of everyone. And many were me. Croation animator Petra Zlonoga, who charmed us with the wonderful Dota (LIFF 2017), has created another disarmingly elegant Animator. A soulful journey of self-discovery, with a graceful and elemental spirit of creation, her new film is a twinkling, cosmological study, teeming with life and delicacy.

I was one of many. I was one of everyone. And many were me. Croation animator Petra Zlonoga, who charmed us with the wonderful Dota (LIFF 2017), has created another disarmingly elegant Animator. A soulful journey of self-discovery, with a graceful and elemental spirit of creation, her new film is a twinkling, cosmological study, teeming with life and delicacy.

It problematizes love relationships through the institution of marriage, asking the question of how to promise someone eternal love, if it is an emotional transformation day by day, as well as a relationship itself.

It problematizes love relationships through the institution of marriage, asking the question of how to promise someone eternal love, if it is an emotional transformation day by day, as well as a relationship itself.