Helge Krog

Eva Bergh works as a bank clerk, but dreams of becoming an artist. At a party she meets the rich Harald Ribe and he instantly falls in love with her. When he proposes to marry her she has no work or place to live and she accepts. At Harald's estate she can live comfortably, but she misses her old friends.

Max Kvarne is an international adventurer who stole 25,000 pounds in 100-pound banknotes at a London coup.

Seamstress Katinka Stordal is a lonely and tired woman in search of love and freedom. When everyday life gets too much, she goes to Krane's pastry shop.

The Stockholm publisher Adam, a wealthy gentleman with a favorable appearance, has completely undeservedly gained a reputation for being a great Don Juan. Women of all ages are drawn to him and give him their invitations. To be at peace, Adam escapes on his sailboat out into the archipelago and settles down on a small islet. But the ladies follow him and in their footsteps follow jealous fiancés and angry courting cavaliers.

Where is the line drawn between the freedom of the press and its financial dependence on owners and advertisers?

Eva Bergh works as a bank clerk, but dreams of becoming an artist. At a party she meets the rich Harald Ribe and he instantly falls in love with her. When he proposes to marry her she has no work or place to live and she accepts. At Harald's estate she can live comfortably, but she misses her old friends.

Max Kvarne is an international adventurer who stole 25,000 pounds in 100-pound banknotes at a London coup.

Seamstress Katinka Stordal is a lonely and tired woman in search of love and freedom. When everyday life gets too much, she goes to Krane's pastry shop.

The Stockholm publisher Adam, a wealthy gentleman with a favorable appearance, has completely undeservedly gained a reputation for being a great Don Juan. Women of all ages are drawn to him and give him their invitations. To be at peace, Adam escapes on his sailboat out into the archipelago and settles down on a small islet. But the ladies follow him and in their footsteps follow jealous fiancés and angry courting cavaliers.

Where is the line drawn between the freedom of the press and its financial dependence on owners and advertisers?