Dunstan Bruce

The biggest night in the British music calendar, the BRIT Awards celebrate the biggest successes in music & promote new talent.

Daisy Asquith investigates the mysterious world of children's entertainers.

Part music documentary, part unflinching character study, part a punk version of ‘A Christmas Carol’ - I Get Knocked Down is the funny, surreal, and deeply human untold story of Chumbawamba and its ex-front man Dunstan Bruce.

Filmed at Leeds City Varieties in December 2012 and released in 2013, “Going, Going” records the final gig of anarchist punk band Chumbawumba before they split up, bringing to an end a 30–year career.

Borne out of the anarcho-squatting free-festival scene of the eighties the Levellers have survived over 25 years of music press vitriol, drink and drug addictions as well as many barren years in the wilderness. But the band had seven consecutive gold albums throughout the 90s, sold out their own festival for the last ten years and run their own creative centre, the Metway. Via the eccentric artist, archivist, whiskey loving bassist Jeremy Cunningham we are taken on a journey; how the band rose to fame and how they survived. A potted history of 25 years of subsidised dysfunctionalism. An uplifting tale of battling demons, that reminds us that behind every band there is always a story of struggle for expression, acceptance and survival.

Aguska is an inspirational short film about a young girl called Melissa. Bullied at football, she and her family work together to not only overcome and unite the whole team together but also to ensure everyone wins.

The biggest night in the British music calendar, the BRIT Awards celebrate the biggest successes in music & promote new talent.

Daisy Asquith investigates the mysterious world of children's entertainers.

Part music documentary, part unflinching character study, part a punk version of ‘A Christmas Carol’ - I Get Knocked Down is the funny, surreal, and deeply human untold story of Chumbawamba and its ex-front man Dunstan Bruce.

Borne out of the anarcho-squatting free-festival scene of the eighties the Levellers have survived over 25 years of music press vitriol, drink and drug addictions as well as many barren years in the wilderness. But the band had seven consecutive gold albums throughout the 90s, sold out their own festival for the last ten years and run their own creative centre, the Metway. Via the eccentric artist, archivist, whiskey loving bassist Jeremy Cunningham we are taken on a journey; how the band rose to fame and how they survived. A potted history of 25 years of subsidised dysfunctionalism. An uplifting tale of battling demons, that reminds us that behind every band there is always a story of struggle for expression, acceptance and survival.

Borne out of the anarcho-squatting free-festival scene of the eighties the Levellers have survived over 25 years of music press vitriol, drink and drug addictions as well as many barren years in the wilderness. But the band had seven consecutive gold albums throughout the 90s, sold out their own festival for the last ten years and run their own creative centre, the Metway. Via the eccentric artist, archivist, whiskey loving bassist Jeremy Cunningham we are taken on a journey; how the band rose to fame and how they survived. A potted history of 25 years of subsidised dysfunctionalism. An uplifting tale of battling demons, that reminds us that behind every band there is always a story of struggle for expression, acceptance and survival.

In 2009, Sham 69 became the first punk rock band to tour China. Just as the ‘70s British icons were attempting to mount a comeback, Chinese punk singer, tour manager and promoter Ray Yao lured them for two weeks of chaos in an enthusiastic but ever-changing country. With locals No Name as their supports, and former Chumbawamba lead singer turned director Dunstan Bruce capturing their every move, the trip provided more than just an unlikely introduction to the modern music scene. Met by excited new fans screaming “this band is gorgeous!”, they tapped into the enduring, uniting nature of punk anthems