Björn Jung

The successful writer Paul and the sought-after voice actress Emilia were always considered to be the absolute dream couple by friends: Harmonious, happy, successful, with three charming children named Bo, Marie and Fe. But now, in their late 40s, their relationship is threatened by a crisis.

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When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

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In 1981, all of Germany fears for the life of Johannes Erlemann, the eleven-year-old son of entrepreneur Jochem Erlemann, who was in custody on suspicion of fraud at the time of his son's abduction. The boy was snatched off his bicycle by his kidnappers, put into a van and then spend two terrible weeks in a shed in the forest fighting for his life having been chained to a wall and left without daylight, while the kidnappers try to extort a large ransom from his wealthy parents.

Special needs pupil Justin has had another fight and his principal wants to get rid of him: Inclusion in the comprehensive school. Justin panics: To school with the normal kids? Without him! His friend Hendrik has a plan: kidnap the principal's dog and swap it for Justin's freedom.

In the middle of his life, Paul Gompitz from Rostock makes the decision to travel to Syracuse in Sicily. He is driven to follow in the footsteps of the poet Johann Gottlieb Seume. But: Paul lives in the GDR, behind the most annoying border in the world. His plan is impossible by legal means. So he has to prepare an escape.

Cologne in the 1970s. To all appearances, things could hardly go better for Iwan Herstatt and his bank. Above all, a group of young currency traders ensures brilliant balance sheets. The fact that they are called gold boys is no coincidence.

It's been 25 years since they graduated from high school or could have done it if they had not left before, made honors rounds or simply failed. Now they meet again at the class reunion, the former best of class, the former genius, the ex-class brat, the ex-class-ass, in their mid-40s, and suddenly face the people with whom they dreamed their future life , But what actually happened in the meantime?

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A mother is good. Several mothers at once are hell! Conny is 37 years old and has so far let her life being arranged by others - especially by her husband Lawrence. Lorenz has made the previous gray mouse, a trophy wife and offers her a carefree life. And so Conny falls from the clouds, when her husband announced her at dinner that he wants a divorce. Of necessity Conny pulls together the two children in the ancient house of Lorenz deceased mother and realized with horror that from now on everything will be different. Since it holds its own for non-viable, she clings to a clique of high-society mothers...

This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple's happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn's determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist's home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.

Robin is 16 and has had enough: permanent trouble at school and at home. On the run from his dull everyday life, he joins a group of skinheads. The clique strengthens their sense of belonging by beating up foreign youths. This is how the "apolitical" boy slips into the right-wing scene, and it's not easy to get out of it. When they injure a Turkish girl during a robbery, Robin, of all people, is questioned by the police.