
Directing
Léonard Forest
Born — Died
1928-01-17 — 2024-03-19
Place of birth
Chelsea, Massachusetts, USA
Known for
Directing
Credits
17 titles
Léonard Forest (born 1928) is an Acadian filmmaker, poet and essayist. He was born in Massachusetts, United States, and grew up in Moncton, New Brunswick, Canada. He has worked at the National Film Board from 1953 to 1980 and was involved in about 130 films, either as director, producer, script-writer.
Known for
10.0Pantomime evoking the history of movement in humans performed by Suzanne Rivest.
Je
1960
NRThis short film from the Perspective series highlights social and economic development in Haiti circa 1957. It depicts customs and traditions used to pass along the history of a people, and offers a look into their daily lives — lives that looks very different from their experiences today.
Haiti
1957
A wealth of archival images offers a glimpse into Québec City’s social history in this tribute to French Canada’s first classical college, the Seminary of Québec.
Walls of Memory
1964
10.0Equal parts dramatic film, investigative report, and sociological experiment, this feature-length picture is above all a community undertaking. Made in collaboration with a group of residents of Gloucester County, New Brunswick, Canada, the film speaks not just to the community it concerns, but equally to those people who wish to recognize the ever-increasing importance of their social reality.
The Wedding Isn't Finished Yet
1971
7.0No synopsis available yet.
Fred Barry comédien
1959
Ethnologist Marius Barbeau introduces us to indigenous mythology. Masks, dances, songs, and totems are used to give the audience a highly suggestive representation of the "biblical" history (Mr. Barbeau's word) of Indigenous tribes.
Marius Barbeau et l'art totémique
1959
Film credits
Behind the camera
10.0Pantomime evoking the history of movement in humans performed by Suzanne Rivest.
Je
1960
NRThis short film from the Perspective series highlights social and economic development in Haiti circa 1957. It depicts customs and traditions used to pass along the history of a people, and offers a look into their daily lives — lives that looks very different from their experiences today.
Haiti
1957
A wealth of archival images offers a glimpse into Québec City’s social history in this tribute to French Canada’s first classical college, the Seminary of Québec.
Walls of Memory
1964
10.0Equal parts dramatic film, investigative report, and sociological experiment, this feature-length picture is above all a community undertaking. Made in collaboration with a group of residents of Gloucester County, New Brunswick, Canada, the film speaks not just to the community it concerns, but equally to those people who wish to recognize the ever-increasing importance of their social reality.
The Wedding Isn't Finished Yet
1971
7.0No synopsis available yet.
Fred Barry comédien
1959
Ethnologist Marius Barbeau introduces us to indigenous mythology. Masks, dances, songs, and totems are used to give the audience a highly suggestive representation of the "biblical" history (Mr. Barbeau's word) of Indigenous tribes.
Marius Barbeau et l'art totémique
1959
NRA film that witnesses the Acadian awakening and the unprecedented popular awareness that manifested itself in 1972 in northeastern New Brunswick.
A Sun Like Nowhere Else
1972
No synopsis available yet.
Télesphore Légaré, garde-pêche
1959
7.0The village of Pubnico, located at the southwestern most tip of Nova Scotia, is the oldest Acadian settlement. Almost all of the village's inhabitants are descended from a few families who settled on the peninsula more than three hundred years ago. For two and a half centuries, the village of Pubnico lived in complete isolation. Today, its people have only one occupation: fishing.
Pêcheurs de Pomcoup
1956
7.0The village of Pubnico, located at the southwestern most tip of Nova Scotia, is the oldest Acadian settlement. Almost all of the village's inhabitants are descended from a few families who settled on the peninsula more than three hundred years ago. For two and a half centuries, the village of Pubnico lived in complete isolation. Today, its people have only one occupation: fishing.
Pêcheurs de Pomcoup
1956
8.0A questioning filmmaker from Québec finds out how Vancouver's poets and painters look at life and art. Among the people seen are sculptor Donald Jarvis, painters Jack Shadbolt, Joy Long and Margaret Peterson, and printmaker Sing Lim.
In Search of Innocence
1964
8.0A questioning filmmaker from Québec finds out how Vancouver's poets and painters look at life and art. Among the people seen are sculptor Donald Jarvis, painters Jack Shadbolt, Joy Long and Margaret Peterson, and printmaker Sing Lim.
In Search of Innocence
1964
9.0Pioneers struggle to establish a town in the harsh unsettled wilderness of northern Quebec during the depression.
The Promised Land
1959
Documentary on the Acadian identity, featuring the music of Edith Butler, filmed in Canada, France, and Louisiana. This film travels throughout the Acadian diaspora, bearing witness to various perspectives on the social, economic, cultural, religious, and political realities of the Acadian people.
Les acadiens de la dispersion
1968
Documentary on the Acadian identity, featuring the music of Edith Butler, filmed in Canada, France, and Louisiana. This film travels throughout the Acadian diaspora, bearing witness to various perspectives on the social, economic, cultural, religious, and political realities of the Acadian people.
Les acadiens de la dispersion
1968
Newfoundland painter Gerald Squires has referred to his portraits as "confrontations," though not intending the hostility that word can convey. This film shows a meeting between the artist and Edythe Goodridge, art curator and critic. Through a combination of Squires's reflections on his life and work and the good-natured banter of these two friends, an intimate portrait evolves of the artist and his subject.
Portrait: Gerald Squires of Newfoundland
1980
