Alain Pol

In 1956, Orson Welles directed "The Tragedy of Lurs," an episode of the television series "Around the World" that was inspired by the murder of a British family near the Dominici farm. The film was unfinished, but the French director Christophe Cognet recovered his materials and reconstructed the documentary.

Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.

The bases, under the occupation, lost their statues. These now anonymous steles rightly intrigue many visitors. Have you ever wondered who is up there? Ask Paul Colline, the most amusing guide in Paris, he will be able to answer you while sparing the goat, the cabbage and your political opinions.

Four experienced mountaineers climb the three floors of the Eiffel Tower through the pillars of the building. A police officer, overwhelmed by the events, does not succeed in arresting the intrepid who reach the summit with agility under the stunned eyes of tourists. They then abseil and happily throw themselves into the Seine to celebrate the feat.

Four experienced mountaineers climb the three floors of the Eiffel Tower through the pillars of the building. A police officer, overwhelmed by the events, does not succeed in arresting the intrepid who reach the summit with agility under the stunned eyes of tourists. They then abseil and happily throw themselves into the Seine to celebrate the feat.

L'Appel Des Cimes, directed by Alain Pol, is a documentary commissioned by the CAF and the various French ministries on the practice of post-war mountaineering. In 1946, climbers trained at the Fontainebleau Climbing School. Guy Poulet and Jacques Poincenot try to climb the Aiguilles de Chamonix but fail during the climbing phase. After a night in a refuge with Denise Rouzeau and the guide Pierre Allain, the mountaineers make a new attempt. Successful demonstration for those who continued the approach walk then the passage of the seracs of the glacier. On the rock, the roped party crosses a chimney and a crack to reach the summit and abseil down. Led by high mountain scouts, Guy and Jacques rediscover the glaciers and needles of the Mont-Blanc massif during the next lesson.

Making of the cinematographic shooting of "Premier de Cordée" directed by Louis Daquin in the Mont-Blanc massif. In 1943. Alain Pol films the risky adventure of filming in the high mountains with a team of seventy people. The images of the making-of reveal the technical constraints encountered by the actors and technicians: falling rocks, crossing glaciers and long approach walks at altitude to the filming locations. Six actors and technicians will also be injured and the main role - that of Pierre - will be reassigned to André Le Gall following a bad fall by Roger Pigaut.

Documentary short subject preserved by the Academy Film Archive, from the Marshall Plan Collection, in 2003.

La Ceinture Dorée is an institutional documentary film on the Brittany region in France. The different scenes describe the daily life of the Bretons, starting with a geography lesson on Brittany in a classroom. Then a Breton landscape where a painter paints a house, women in headdresses in a procession, bell towers and forgiveness, prayers at Calvaries. Then follow the plans of the boats at the dock and the work of the oyster farmers. Lobster ponds, algae collectors and fertilizer collection. Daily life of the Leonards, preparation of pancakes in front of the fireplace and pancake meal. etc

In 1602, King Henri IV decided to develop French manufacturing to limit imports of products such as carpets and tapestries, of which the royal court was a major consumer. In 1662, Colbert (Minister of Louis XIV) bought the buildings and decided to create there the "Royal Manufacture of Crown furniture and tapestries", where upholsterers settled, but also painters, goldsmiths, engravers, cabinetmakers... Reserved to the furnishing of Royal Houses and diplomatic presents. To make this documentary, Alain Pol uses a new process developed by the French Lucien and Armand Roux. They had developed a color cinema technique with the "Rouxcolor" process, a patent filed in 1932. A simple process, which preceded the arrival of the American technicolor, less precise, but requiring special equipment for cinemas, which cut his career short.