Rasaraj Chakraborty

Pankhiraj is a 1979 Bengali language Indian drama film directed by Pijush Basu, starring Uttam Kumar, Soumitra Chatterjee, Nandita Bose, Samit Bhanja, and Utpal Dutta.

Gauri, an average girl from a village, falls in love with a wealthy man from the city, Samir. The unusual couple go through a series of turmoil after Samir goes abroad to study law.

Despite being married, king Rajshekhar Ray falls in love with sexy dancer Aparna, who loves Raghubir. However, things take a turn when he kills Raghubir.

The story follows a wealthy, arrogant man named Indra who undergoes a profound moral awakening after facing harsh truths about life, love, and societal justice.

During the liberation of India, an old-fashioned man must examine his priorities.

Bhola Moira, a singer from rural Bengal, wins a musical contest. However, when a special person from his past resurfaces, he is left disturbed.

Ekhonee depicts the lives and frustrations of a bunch of youth struggling to cope with the adversities of a bureaucratic society. There's a bunch of college students Arun, Tiklu, Shambhu, Biman, Sujit, Urmi whose lives undergo a change after the carefree days of college are over.

Anish Mitra, an affluent personality, does not wish to pursue a family life. However, on one of his vacations, he ends up sharing an intimate relationship with a young woman.

In a world of family ties and hidden secrets, one woman's quest for independence collides with dark desires. Love and vengeance intertwine, revealing the true cost of power.

On their first honeymoon, newlyweds face an unexpected twist when the husband discovers his boss, whom he deceived to get time off, staying at the same hotel.

A small company advertises for 100 vacancies and 30,000 apply. The applicants are all from the ranks of the poor and there is a virtual riot. Everyone around is seeking for opportunities. Among them are the applicants who desperately need the job, the photographer who is busy seeking a scoop, the village moneylender who is busy exploiting the poor, the ineffective police, the employers who are advertising posts even while a six month old strike has nearly caused the workmen to become destitute. It is a story of society captured in a tiny framework of a small business. Ultimately, the workmen, the unemployed and the farmers all get to gether to protest against this exploitation.

Asadharan is the story of Jagabandhu, a man who is always eager to help people. He doesn't even think of his well-being in his efforts to do so. The district's magistrate asks him to help him and reveals the corrupt government officials. Jagabandhu falsely declares his death, hoping to get financial help and the support of the people. No one turns up for his funeral, and he is disheartened. He reveals the corrupt people and leaves his district forever.

A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.

A young man still to find a place in the sun puts up an innocent bluff to a young girl he chances upon. They meet frequently since then. Bluffs continue to pile up. There is no way out. In a desperate bid the young man tries to break the wealth barrier. His friend, well placed in life, cautions him. He turns a deaf ear. The inevitable happens. The young man grows wiser but pays heavily for it.

This is the story of the wanderlust in a teenage boy, Tarapada, who often ran away from his home for days to join groups of wandering players, musicians and acrobats. Based on a story by Rabindranath Tagore.

Rahmat, a middle-aged fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise and befriends a small Bengali girl called Mini who reminds him of his own daughter back in Afghanistan. One day Rehmat receives news of his daughter’s illness and decides to return to Afghanistan. But before he goes a violent fight with a customer leads to Rehmat killing him. He gets out of prison ten years later. Based on a Rabindranath Tagore story.

Set in the turbulent 1930s, this is the story of a poor Chinese hawker selling his merchandise, Chinese silk, in the streets of Calcutta. This was the time when China was repulsing a brutal attack of militarist Japan and when an outraged Rabindranath Tagore wrote to his friend in Japan, the great poet Noguchi: “I wish your countrymen, whom I love so much, not success but remorse”. This film holds the dubious distinction of being the first to be banned (though temporarily) in independent India.