Harry Ross

Ex-insurance investigator Ian Souter sets up his own security agency — the SIS (Specialists in Security) — alongside ex-cop Robert Shoesmith and secretary Heather Keys - and fight crime.

The first of a trilogy of police procedurals produced in the 1960s by Granada TV, linked by the presence of pompous but increasingly genial police Chief Inspector Charles Rose, The Odd Man initially dealt with the investigations of theatrical-agent-cum-detective Steve Gardiner, and his encounters with the police in the form of Chief Inspector Gordon and DS Swift. By season three, Rose takes Gardiner's place.

Sent to a home for "problem" girls, incipient juvenile delinquent Gwen receives a crash course in petty crime. Back on the outside, she falls in with the usual bad crowd, and suffers spectacularly as a result.

Police find that everyone had a motive for the murder of a wealthy woman.

Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.

After World War II service changes them, a married couple dread their postwar reunion.

Ex-insurance investigator Ian Souter sets up his own security agency — the SIS (Specialists in Security) — alongside ex-cop Robert Shoesmith and secretary Heather Keys - and fight crime.

The first of a trilogy of police procedurals produced in the 1960s by Granada TV, linked by the presence of pompous but increasingly genial police Chief Inspector Charles Rose, The Odd Man initially dealt with the investigations of theatrical-agent-cum-detective Steve Gardiner, and his encounters with the police in the form of Chief Inspector Gordon and DS Swift. By season three, Rose takes Gardiner's place.