Michelle St. John

Pocahontas, daughter of a Native American tribe chief, falls in love with an English soldier as colonists invade 17th century Virginia.

When news of John Smith's death reaches America, Pocahontas is devastated. She sets off to London with John Rolfe, to meet with the King of England on a diplomatic mission: to create peace and respect between the two great lands. However, Governor Ratcliffe is still around; he wants to return to Jamestown and take over. He will stop at nothing to discredit the young princess.

Young Native American man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family, and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains.

Abandoned cars rest silently in fields for decades, still holding secret conversations within their bodies.

Teenage Callie has a wild streak. When her mother goes to London on business, she sends Callie to her sister's ranch for a dose of hard work and responsibility. Callie is sullen, at first, naturally, but perks up at the sight of a beautiful but wild black horse. When she overhears of the horse's destruction, due to his inability to be tamed, she arranges to steal the horse with a fellow ranch hand named Rafe. In hiding, the two begin to calm the horse and start his training. It works. But, will their hideaway be discovered?

In this sequel to The Last of the Mohicans, the Pathfinder (Kevin Dillon) defends a British fort under siege during the French and Indian Wars. His Indian father, Chingachgook (Graham Greene), and the lovely Mabel Dunham (Laurie Holden) are swept up in the battle, and the Pathfinder finds himself forced to choose between his father and the woman he loves. The film is based on last of James Fenimore Cooper's "Leatherstocking Tales."

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

The true story of an eleven year old girl who has a reputation for telling tall tales. So when she accuses her father of molesting her, will anybody believe her story?

In 1937, a young First Nations girl named Ashtecome is kidnapped along with several other children from a village as part of a deliberate Canadian policy to force First Nations children to abandon their culture in order to be assimilated into white Canadian/British society. Taken to a boarding school where she's forced to adopt Western Euro-centric ways and learn English, often under brutal treatment, she has the support of one sympathetic white teacher.

An exploration of the reality of returning home on the reserve to face family, community and death.

Jesse Threebears is a troubled Native-American teen who has been tossed from one foster home to the next since his mother died when he was an infant. Finally, he is taken in by his grandfather who, after a ten year stint in prison, is living on the reservation. With the help of his grandfather and several others who live on the reservation, Jesse begins to learn about his heritage and how to come to terms with his troubled life.

The story of the greatest Native American warrior who, together with the rest of his Apache tribesmen, defied American and Mexican Armies in 1867. Finally caught and sent to a reservation camp, he eluded a military force of 5000 for 18 months before finally surrendering to the government.

How can a smart middle class girl suddenly turn into a devoted right wing debater? That's what happens with Catherine when she meets the charismatic leaders of the neo-nazi organization NIM. Catherine, a first-year university student who feels alienated from the liberal campus, joins a hate group through the Internet and becomes their voice, only to gradually question their beliefs even as she becomes more deeply involved.

An archaeological expedition journeys to Manitoba, Canada, in search of a legendary crucifix supposedly buried in an ancient Viking grave.

Seymour Polatkin is a successful, gay Indian poet from Spokane who confronts his past when he returns to his childhood home on the reservation to attend the funeral of a dear friend.

A high school is rocked by a contentious debate over whether or not "The Adventures of Huckleberry Finn" should be removed from its library for language concerns.

The story of a young idealistic teacher and his struggle with a class of difficult students in a northern British Columbia school.

In towns throughout Ontario, there are startling reminders of the colonization of Indigenous territories and the displacement of First Nations people. Anishinaabe comedian and activist Ryan McMahon takes us to his hometown of Fort Frances and down its main drag, which is called Colonization Road. Similar streets have similar names in towns and cities across the province, direct reminders of the Public Lands Act of 1853 and its severe impact on First Nations, their treaties and their land in the name of “Canadian settlement.” On his journey through Ontario, McMahon explores the history of these roads, meets with settlers in solidarity and raises significant questions about “reconciliation” and what it means to “decolonize.”

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

At Archer’s Aunty Gladys’ funeral, he hears a tap on the window — it’s a bear named Jesus, who has come for Archer’s mom. “A Bear Named Jesus” is an allegory for religious interference, with an aching yet humorous look at estrangement and mourning for the loss of someone still living.