Martin Ryšavý

No synopsis available yet.

In 1964, the discovery of secret Nazi documents in the bottom of a lake in the Šumava hits the press worldwide. Years later, it is revealed that the sensational event was orchestrated by the communist regime in a campaign against West Germany, code-named Neptune. Revisiting recent political past of the Cold War in a noir pastiche, this docufiction contributes to the process of myth-making as a necessary construction of our perception of the history.

Follows the footsteps of former Czechoslovak – Vietnamese cooperation and seeks to sum up its importance, regardless of its close political aspects, for lives of few particular Vietnamese citizens and also to report on contemporary Vietnam through experience of local people, who surprisingly aren’t separated from Czech by language barrier.

No synopsis available yet.

A detailed probe into the rehearsal process of the theatre production of I, Feuerbach, based on the play by successful German playwright Tankred Dorst, presents Ivan Řezáč in the leading role of an aging master of acting. This documentary about the preparation of a production based on the principle of theatre on the stage uses filmic means to explore the meaning of the art of theatre and, in the civilian conversations among members of the ensemble outside their roles, reveals that even the actors themselves often grope for the meaning of their profession. In the process, the sometimes humorous and sometimes critical moments during the preparation of a theatrical piece reveal the many pitfalls of collective work in contemporary society.

An ironic water road movie telling the story of several characters traveling on the waters and roads of the Podkrušnohorská landscape, and at the same time the story of the landscape itself.

No synopsis available yet.

Follows the footsteps of former Czechoslovak – Vietnamese cooperation and seeks to sum up its importance, regardless of its close political aspects, for lives of few particular Vietnamese citizens and also to report on contemporary Vietnam through experience of local people, who surprisingly aren’t separated from Czech by language barrier.

No synopsis available yet.

A detailed probe into the rehearsal process of the theatre production of I, Feuerbach, based on the play by successful German playwright Tankred Dorst, presents Ivan Řezáč in the leading role of an aging master of acting. This documentary about the preparation of a production based on the principle of theatre on the stage uses filmic means to explore the meaning of the art of theatre and, in the civilian conversations among members of the ensemble outside their roles, reveals that even the actors themselves often grope for the meaning of their profession. In the process, the sometimes humorous and sometimes critical moments during the preparation of a theatrical piece reveal the many pitfalls of collective work in contemporary society.

An ironic water road movie telling the story of several characters traveling on the waters and roads of the Podkrušnohorská landscape, and at the same time the story of the landscape itself.

An ironic water road movie telling the story of several characters traveling on the waters and roads of the Podkrušnohorská landscape, and at the same time the story of the landscape itself.

One of the most striking contemporary Czech film-makers and literary figures, twice over winner of the Magnesia Litera Award, Martin Rysavý, is himself the central character of his new, philosophically tinged travelogue. He takes part in the Ukrainian Maidan, takes the Trans-Siberian Express across Russia, sails down the Kolyma river, comes across nomadic reindeer herdsmen, soldiers, mystics, artists and scholars. He tries to comprehend the present situation of two feuding countries of the former Soviet empire. The film's framework forms the director's conversation with a Prague optician, Jakub Thuri, shot during the director's check-up. Using travel materials on top, it allows a peep inside a traveller's consciousness wandering in recollections and trails of sensory perceptions from expeditions to far-away lands and finding a way how to grasp them, put them in order and pass them on.

One of the most striking contemporary Czech film-makers and literary figures, twice over winner of the Magnesia Litera Award, Martin Rysavý, is himself the central character of his new, philosophically tinged travelogue. He takes part in the Ukrainian Maidan, takes the Trans-Siberian Express across Russia, sails down the Kolyma river, comes across nomadic reindeer herdsmen, soldiers, mystics, artists and scholars. He tries to comprehend the present situation of two feuding countries of the former Soviet empire. The film's framework forms the director's conversation with a Prague optician, Jakub Thuri, shot during the director's check-up. Using travel materials on top, it allows a peep inside a traveller's consciousness wandering in recollections and trails of sensory perceptions from expeditions to far-away lands and finding a way how to grasp them, put them in order and pass them on.

This bittersweet film was Roman Vávra's feature debut. The film consists of three independent stories, all connected through the motif of a field of grain. In 'Awn' a young couple takes a summer stroll in the country, in 'The Haystack' a gang of boys have an adventure with an older girl, and 'The Journey' recounts the tragicomic homecoming of a pair of aging newlyweds. For only the second time in the nineties Czech star Iva Janzurová appeared on the silver screen.

No synopsis available yet.

No synopsis available yet.