Julián Giulianelli

In 1978, Jorge Cafrune, musician and Argentinian folklore icon, set out on horseback to cross the country to pay tribute to the liberator general, José de San Martín. On the first night on the road, he was hit by a van. Some believe that the crime was ordered by a [...]

Taking as its starting point the discovery of the bodies of the children of Llullaillaco and the debates that their discovery sparked, the central objective of the project is to question how the influence of the Inca Empire in the region was ignored during the geopolitical, cultural, and social formation of our country. An essayistic approach that, from a variety of perspectives, enables reflection on some of the identity contradictions that still underlie the idea of nationhood today.

Three teenage boys love soccer, are troublemakers, and always lie to their teachers and miss class. They are always up to no good. And they aren't alone. Their families are surrounded by restlessness. It almost seems like a so-so movie about teens from Argentina. But when one of the boys steals a gun from another boy's house, things start to take a different turn. There is an accident, and the boy disappears. Where did he go? Sometime later, the two boys and the missing boy's sister head off to an unknown location. With the accident as the starting point, the film turns into a little odyssey within the heart of Buenos Aires.

Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.

In 1978, Jorge Cafrune, musician and Argentinian folklore icon, set out on horseback to cross the country to pay tribute to the liberator general, José de San Martín. On the first night on the road, he was hit by a van. Some believe that the crime was ordered by a [...]

In 1978, Jorge Cafrune, musician and Argentinian folklore icon, set out on horseback to cross the country to pay tribute to the liberator general, José de San Martín. On the first night on the road, he was hit by a van. Some believe that the crime was ordered by a [...]

Taking as its starting point the discovery of the bodies of the children of Llullaillaco and the debates that their discovery sparked, the central objective of the project is to question how the influence of the Inca Empire in the region was ignored during the geopolitical, cultural, and social formation of our country. An essayistic approach that, from a variety of perspectives, enables reflection on some of the identity contradictions that still underlie the idea of nationhood today.

Three teenage boys love soccer, are troublemakers, and always lie to their teachers and miss class. They are always up to no good. And they aren't alone. Their families are surrounded by restlessness. It almost seems like a so-so movie about teens from Argentina. But when one of the boys steals a gun from another boy's house, things start to take a different turn. There is an accident, and the boy disappears. Where did he go? Sometime later, the two boys and the missing boy's sister head off to an unknown location. With the accident as the starting point, the film turns into a little odyssey within the heart of Buenos Aires.

Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.

Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.

Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.