Yelena Skachko

About the first builders of the city of Komsomolsk and their labor.

The story of a father - a hero of the Civil War, a general of the Patriotic War and his son, frivolous and absent-minded in the civilian life, but who took over his father's 'baton' in the 'hard times'. General Rybakov's son Ivan, confident that his father's name will protect him from trouble, commits a number of disreputable acts. Between father and son there is a decisive explanation, as a result of which Ivan leaves home. During the Great Patriotic War, the Rybakovs meet again. The severely wounded general, dying, bequeaths his weapon to his son.

The innkeeper Bessudny and his wife Eugenia are evil and greedy people. And their niece, the modest and decent Annushka, loves the landowner Milovidov. However, the envious Eugenia tries in every possible way to prevent her personal happiness.

In the focus of the film is the fate of Varvara Basova, whose painfully soulless, philistine-gray existence, devoid of ideals and moral content. Relevant today, the picture sounds like a verdict to all who are mired in vulgarity, who have exchanged life for petty pleasures, profit, empty philosophizing.

About the first builders of the city of Komsomolsk and their labor.

The story of a father - a hero of the Civil War, a general of the Patriotic War and his son, frivolous and absent-minded in the civilian life, but who took over his father's 'baton' in the 'hard times'. General Rybakov's son Ivan, confident that his father's name will protect him from trouble, commits a number of disreputable acts. Between father and son there is a decisive explanation, as a result of which Ivan leaves home. During the Great Patriotic War, the Rybakovs meet again. The severely wounded general, dying, bequeaths his weapon to his son.

The innkeeper Bessudny and his wife Eugenia are evil and greedy people. And their niece, the modest and decent Annushka, loves the landowner Milovidov. However, the envious Eugenia tries in every possible way to prevent her personal happiness.

In the focus of the film is the fate of Varvara Basova, whose painfully soulless, philistine-gray existence, devoid of ideals and moral content. Relevant today, the picture sounds like a verdict to all who are mired in vulgarity, who have exchanged life for petty pleasures, profit, empty philosophizing.