Ruslan Fedotov

For generations, the Salamanca community of Mennonites has been living in the same modest and rigidly organized way. Modern-day scenes are accompanied by a voice-over narrating a man’s recollections of his youth. “As soon as I close my eyes,” he explains, “I go back to the past, to the moment when I made the choice that shaped my entire life.” Speaking in the Plautdietsch language, he talks calmly of the strong curiosity he felt as a young boy about the world beyond Salamanca and the Mennonite faith – a curiosity for which he paid dearly.

Sigur Rós have given a dozen film makers the same modest budget and asked them to create whatever comes into their head when they listen to songs from the band's album Valtari. The idea is to bypass the usual artistic approval process and allow people utmost creative freedom. These 16 films are the result. Sad, funny, beautiful and, occasionally, plain bewildering, they represent just some of the available emotional responses to this most contemplative album.

This is the story of one day in the life of a Georgian family. A fisherman's family celebrates Christmas day.

This is ‘a road movie’ encapsulated in the Moscow metro system and filmed over the course of one year: a documentary film that observes cultural and social issues in modern Russia.

Ruslan Fedotov follows the course of the Dnieper to observe the lives of young people in Russia and Belarus, tracing how collective memory enters the lives and imagination of youth.

A heartbreaking portrait of 16-year-old Ukrainian refugees Andrey and Alisa, who help out at a school for refugee children in Budapest. Andrey asks the children to draw pictures of something from back home in Ukraine. What beautiful things can they recall? He offers the example of his own grandfather’s cherry orchard. The children use confrontational, adult vocabulary to describe their experiences of war. A young boy earnestly goes through a number of battle strategies, and a girl provides a vivid account of a rocket attack.

For generations, the Salamanca community of Mennonites has been living in the same modest and rigidly organized way. Modern-day scenes are accompanied by a voice-over narrating a man’s recollections of his youth. “As soon as I close my eyes,” he explains, “I go back to the past, to the moment when I made the choice that shaped my entire life.” Speaking in the Plautdietsch language, he talks calmly of the strong curiosity he felt as a young boy about the world beyond Salamanca and the Mennonite faith – a curiosity for which he paid dearly.

Sigur Rós have given a dozen film makers the same modest budget and asked them to create whatever comes into their head when they listen to songs from the band's album Valtari. The idea is to bypass the usual artistic approval process and allow people utmost creative freedom. These 16 films are the result. Sad, funny, beautiful and, occasionally, plain bewildering, they represent just some of the available emotional responses to this most contemplative album.

This is the story of one day in the life of a Georgian family. A fisherman's family celebrates Christmas day.

This is the story of one day in the life of a Georgian family. A fisherman's family celebrates Christmas day.

This is ‘a road movie’ encapsulated in the Moscow metro system and filmed over the course of one year: a documentary film that observes cultural and social issues in modern Russia.

This is ‘a road movie’ encapsulated in the Moscow metro system and filmed over the course of one year: a documentary film that observes cultural and social issues in modern Russia.

Ruslan Fedotov follows the course of the Dnieper to observe the lives of young people in Russia and Belarus, tracing how collective memory enters the lives and imagination of youth.

A heartbreaking portrait of 16-year-old Ukrainian refugees Andrey and Alisa, who help out at a school for refugee children in Budapest. Andrey asks the children to draw pictures of something from back home in Ukraine. What beautiful things can they recall? He offers the example of his own grandfather’s cherry orchard. The children use confrontational, adult vocabulary to describe their experiences of war. A young boy earnestly goes through a number of battle strategies, and a girl provides a vivid account of a rocket attack.

A heartbreaking portrait of 16-year-old Ukrainian refugees Andrey and Alisa, who help out at a school for refugee children in Budapest. Andrey asks the children to draw pictures of something from back home in Ukraine. What beautiful things can they recall? He offers the example of his own grandfather’s cherry orchard. The children use confrontational, adult vocabulary to describe their experiences of war. A young boy earnestly goes through a number of battle strategies, and a girl provides a vivid account of a rocket attack.

Documentary film by Ruslan Fedotov

Documentary film by Ruslan Fedotov

This is a story about grown children. Adults in their 10 years. Cigarettes and alcohol, rudeness and childish immediacy, these few words can describe the world in which Nikita lives. He has 4 grades of elementary school behind him, but now it’s not up to school anymore, he has to earn money and take care of his alcoholic mother. Nikitin's comrades are also "children of the streets." What we called "happy childhood" seems to be losing relevance. And does Nikita need it?

Rui lives alone on the outskirts of Lisbon, making a living from illegal fishing. He sells his crabs door to door by the kilo. Using dazzling chiaroscuro effects with an impressionist touch, Ruslan Fedotow gradually reveals the daily life of a man struggling with drug addiction, and his fight to stay in touch with his son who is being kept away from him.

A girl — or a woman — in a bright red scarf, with a soft toy mouse in her arms. To look at her, you wouldn’t guess that she’s 50 and has been homeless for three years. Her incredible passion to live prevents her from freezing on the cold streets of Moscow.

A girl — or a woman — in a bright red scarf, with a soft toy mouse in her arms. To look at her, you wouldn’t guess that she’s 50 and has been homeless for three years. Her incredible passion to live prevents her from freezing on the cold streets of Moscow.