Heidi Saman

The Maid, a short narrative film, examines the moments in which we are forced to understand that other people are real in the same way that we are. Rasha is an Egyptian housemaid, who is not so skilled at her job. When her suspicions about her employer are confirmed, Rasha must come to terms with her perceptions of trust, duty, and her place within the family household.

Steven Bassem spends his evenings at an upscale restaurant among the nouveau riche elite. But he's not there to dine; he's there to park cars. An all-but-invisible valet, Steven is acutely aware of his dead-end situation and begins to act out erratically.

The Maid, a short narrative film, examines the moments in which we are forced to understand that other people are real in the same way that we are. Rasha is an Egyptian housemaid, who is not so skilled at her job. When her suspicions about her employer are confirmed, Rasha must come to terms with her perceptions of trust, duty, and her place within the family household.

The Maid, a short narrative film, examines the moments in which we are forced to understand that other people are real in the same way that we are. Rasha is an Egyptian housemaid, who is not so skilled at her job. When her suspicions about her employer are confirmed, Rasha must come to terms with her perceptions of trust, duty, and her place within the family household.

Steven Bassem spends his evenings at an upscale restaurant among the nouveau riche elite. But he's not there to dine; he's there to park cars. An all-but-invisible valet, Steven is acutely aware of his dead-end situation and begins to act out erratically.

Steven Bassem spends his evenings at an upscale restaurant among the nouveau riche elite. But he's not there to dine; he's there to park cars. An all-but-invisible valet, Steven is acutely aware of his dead-end situation and begins to act out erratically.