Mathé Souverbie

Focuses primarily on three women and the (unseen) man who goes in and out of their lives. One member of this trio is a saleswoman with an open relationship that suddenly closes when she learns that her lover has been unfaithful. It seems that he has dallied with a book-dealer (her nemesis) who ultimately does not propose as much of a threat to the disillusioned saleswoman as a certain actress. Along with these three are several other females who interact with the main protagonists. Set up more in the manner of a stage play with changing scenes and acts.

An ad executive impersonates an archeology professor to avoid a situation with an obsessed former lover. She enlists the help of a hapless archeologist who is at the airport to pick the real archeology professor. What follows is a series of conflicting and comical situations involving the "switcheroo."

Three young men - Jacques, Pierre, and Michel - share an apartment in Paris, and have many girlfriends and parties. Once, during a party, a friend of Jacques' tells him he has a quite compromising package to deliver, and asks him if he can leave it discreetly at their place. Jacques agrees and, as he works as a steward, flies away for a one-month trip in Japan, telling Pierre and Michel about the package. Then, one of Jacques' former girlfriends drops a baby before their door, making Pierre and Michel believing it is the package they are waiting for. Their lives are then completely changed.

Alexa, Fernand, and Louis form a tender yet unconventional trio in a quiet suburban home. Fleeing failed marriages and societal expectations, they build a life rooted in love and mutual support. But their unorthodox arrangement stirs suspicion, especially from a curious police inspector whose own life is about to change in unexpected ways.

Stephane (Victor Lanoux) is the mayor of a small village. He is also the manager of the tannery which provides the inhabitants with work. In a fit of anger, he kills his wife (Edith Scob). A judge (Jean Carmet) tries to prove his culpability, but it's not an easy task, because there is a political and social pressure.

In this film that sends up the foibles of filmmaking, a standard crew of actors, stage-hands, director, writers, producers, and others are gathered for the filming of a 45-second automobile commercial. Each role embodies an archetype (the harried director who has a deadline to meet, the Scrooge production manager who has a budget to meet, and the writers who are above these mundane concerns), and these personalities drive the working actors over the edge until they decide to lock them up and do their own thing -- happiness can be just around the corner if you are in the driver's seat. Hopefully, the actors will be able to bow out before the police catch on to the situation.

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