Liam Alex Heffron

An ensemble of mourners travel in their cars to the funeral of an Irishman who took his life in a car.

A group of girls are terrorized by violent vagrants before succumbing to a horrific supernatural evil.

A group of protesters film a period re-enactment in a dilapidated 18th century house in a last ditch effort to save it from demolition. Through this film-within-a-film device, Paul Mercier’s satirical script gleefully blurs the lines between “real life” and dramatised events, while touching on a dizzying range of themes such as art, historical truth and conservation. The film is fuelled by an anarchic energy and propelled by Mel Mercier’s driving score.