Varuzh Karim-Masihi

The Mongol invasion of Iran leaves the country devastated but the people fight for their right in their own way.

Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which will seem real to Forugh, is to drive her mad, perhaps to suicide, so that Kamran and Moluk can inherit the house. The play is elaborate, Forugh is fooled and terrified, and the police can't substantiate her wild claims. She appears insane to them. All is headed for the mysterious last act.

Siavash, a young man burdened by the mysterious suicide of his father, finds himself entangled in a web of family intrigue. His uncle, managing his father’s estate, seeks to marry Siavash’s mother, a union Siavash vehemently opposes. Amidst this turmoil, Siavash’s love for his cousin Mahtab, whose father is his uncle’s councillor, complicates matters further. As the day of the union approaches, Siavash is struck by a profound realisation: his life bears a striking resemblance to Shakespeare’s Hamlet. This revelation ignites a series of questions, challenging his understanding of the true nature of his father’s death.

Short television film

The Mongol invasion of Iran leaves the country devastated but the people fight for their right in their own way.

Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which will seem real to Forugh, is to drive her mad, perhaps to suicide, so that Kamran and Moluk can inherit the house. The play is elaborate, Forugh is fooled and terrified, and the police can't substantiate her wild claims. She appears insane to them. All is headed for the mysterious last act.

Siavash, a young man burdened by the mysterious suicide of his father, finds himself entangled in a web of family intrigue. His uncle, managing his father’s estate, seeks to marry Siavash’s mother, a union Siavash vehemently opposes. Amidst this turmoil, Siavash’s love for his cousin Mahtab, whose father is his uncle’s councillor, complicates matters further. As the day of the union approaches, Siavash is struck by a profound realisation: his life bears a striking resemblance to Shakespeare’s Hamlet. This revelation ignites a series of questions, challenging his understanding of the true nature of his father’s death.

Siavash, a young man burdened by the mysterious suicide of his father, finds himself entangled in a web of family intrigue. His uncle, managing his father’s estate, seeks to marry Siavash’s mother, a union Siavash vehemently opposes. Amidst this turmoil, Siavash’s love for his cousin Mahtab, whose father is his uncle’s councillor, complicates matters further. As the day of the union approaches, Siavash is struck by a profound realisation: his life bears a striking resemblance to Shakespeare’s Hamlet. This revelation ignites a series of questions, challenging his understanding of the true nature of his father’s death.

Short television film