Gilda Galán

The film, which is an ode to Rafael Hernández's song "Lamento borincano", is a social commentary of the political and social policies of the 40's and 50's which led to the abandonment of what was seen by many as the "pure", "virtuous" life of the finca (farm) for the "corrupting" influence of urban centers like San Juan and New York City.

The location of the dividing line between two farms causes friction between two families.

A selection of three short stories by Puerto Rican writer Abelardo Díaz Alfaro (“Don Procopio”, “Peyo Mercé enseña inglés”, and “Bagazo”), portraying typical characters of the Puerto Rican social and economic classes in the 1940's.

In a small rural town, everybody lays eyes on Maruja, the most beautiful woman there. After the son of the mayor comes back from France, he also notices Maruja, setting forth events of love, jealousy, guilt, and anger.

Manuel, the manager of the (real-life) Hotel Condado Beach in San Juan, and his assistant Paquito decide to promote their establishment by offering free "honeymoons in Puerto Rico" to newlywed couples.

A small town celebrates the triumph of their revolution. Under the euphoria of the moment, the town's founder is declared a traitor and the destruction of his statue is decided by the people. A journalist buys the statue before it is destroyed. Later, the townspeople discover that the statue isn't from who they thought it was and they decide to retrieve it. The journalist, however, doesn't want to give it back, giving rise to the dilemma.

A cautionary film about what were thought to be rural superstitions and practices in Puerto Rico.

A compilation of twelve short stories from one of Puerto Rico's most prolific writers, Abelardo Díaz Alfaro. These are: "El figurín", "El ejecutivo", "El muerto encogío", "La historia de la polilla", "Julia Rosa", "El funerario", "La mujer y su poder de dominio", "La locura del Rock & Roll", "Las píldoras juvenilinas", "Una estatua al ñame", "El bautizo de la leche", and "Una suegra lista".