Jorge Caballero

In 2018, a group of filmmakers calling themselves "Los Quietos" set out to make a film essay on a hypothetical syndrome of stillness in the Republic of Colombia. To this end, they invite Colombian documentary master Luis Ospina, presidential candidate Gustavo Petro and writer Juan Gabriel Vásquez to give them clues to delve into the history, geography and idiosyncrasy of Colombia, a country that, paradoxically, has very little of stillness. For unknown reasons, the project remained unfinished.

Three relatives of missing people travel a long and complex path in search of the remains of their loved ones, facing bureaucratic, legal and social processes that have persisted since the Civil War. Atlas of disappearance reconstructs what oblivion and repression tried to hide. Through digital maps, archives and forensic architecture, the film illuminates the silent transfer of thousands of missing people to the Cuelgamuros Valley during the Franco dictatorship. Between absences and silences, the film shows the constant struggle to recover the truth, giving name and place to those who were torn from history.

PATIENT is the word that defines us as we follow medical instructions or have to stay calm while we wait. In Colombia, a country where the harsh health system requires its users to face absurd bureaucratic obstacles to access its services, PATIENT is not only the one who has the disease, but also the one in the daily struggle ensuring that his or her loved one receives all necessary needs. Nubia is a PATIENT, a mother who, despite living with the anguish of possibly losing her daughter to an aggressive cancer, firmly gets to overcome the labyrinths established by the Health System processes upon which her daughter's life depends.

The story of Enric Duran, a Catalan activist who, during the economic crisis of 2008, stole —by borrowing loans that he never paid back— half a million euros from banks, donated them to social projects and announced it to the media to denounce the practices of the banking system.

We invited a group of people to a reading of the script of a film about a man who romanced women in order to swindle them. As the reading progressed, people began to dig into their own stories. The whole thing was recorded live. The result is a shared reflection on the ideal of romantic love and the extraordinary (and not necessarily positive) influence it has on men and women.

When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.

In 2018, a group of filmmakers calling themselves "Los Quietos" set out to make a film essay on a hypothetical syndrome of stillness in the Republic of Colombia. To this end, they invite Colombian documentary master Luis Ospina, presidential candidate Gustavo Petro and writer Juan Gabriel Vásquez to give them clues to delve into the history, geography and idiosyncrasy of Colombia, a country that, paradoxically, has very little of stillness. For unknown reasons, the project remained unfinished.

In 2018, a group of filmmakers calling themselves "Los Quietos" set out to make a film essay on a hypothetical syndrome of stillness in the Republic of Colombia. To this end, they invite Colombian documentary master Luis Ospina, presidential candidate Gustavo Petro and writer Juan Gabriel Vásquez to give them clues to delve into the history, geography and idiosyncrasy of Colombia, a country that, paradoxically, has very little of stillness. For unknown reasons, the project remained unfinished.

Three relatives of missing people travel a long and complex path in search of the remains of their loved ones, facing bureaucratic, legal and social processes that have persisted since the Civil War. Atlas of disappearance reconstructs what oblivion and repression tried to hide. Through digital maps, archives and forensic architecture, the film illuminates the silent transfer of thousands of missing people to the Cuelgamuros Valley during the Franco dictatorship. Between absences and silences, the film shows the constant struggle to recover the truth, giving name and place to those who were torn from history.

PATIENT is the word that defines us as we follow medical instructions or have to stay calm while we wait. In Colombia, a country where the harsh health system requires its users to face absurd bureaucratic obstacles to access its services, PATIENT is not only the one who has the disease, but also the one in the daily struggle ensuring that his or her loved one receives all necessary needs. Nubia is a PATIENT, a mother who, despite living with the anguish of possibly losing her daughter to an aggressive cancer, firmly gets to overcome the labyrinths established by the Health System processes upon which her daughter's life depends.

PATIENT is the word that defines us as we follow medical instructions or have to stay calm while we wait. In Colombia, a country where the harsh health system requires its users to face absurd bureaucratic obstacles to access its services, PATIENT is not only the one who has the disease, but also the one in the daily struggle ensuring that his or her loved one receives all necessary needs. Nubia is a PATIENT, a mother who, despite living with the anguish of possibly losing her daughter to an aggressive cancer, firmly gets to overcome the labyrinths established by the Health System processes upon which her daughter's life depends.

The story of Enric Duran, a Catalan activist who, during the economic crisis of 2008, stole —by borrowing loans that he never paid back— half a million euros from banks, donated them to social projects and announced it to the media to denounce the practices of the banking system.

We invited a group of people to a reading of the script of a film about a man who romanced women in order to swindle them. As the reading progressed, people began to dig into their own stories. The whole thing was recorded live. The result is a shared reflection on the ideal of romantic love and the extraordinary (and not necessarily positive) influence it has on men and women.

When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.

A damaged film shot in 1982 in a Latin American country documents the violence that took place on 9 May that year. Beneath its apparent banality, the film raises suspicions of manipulation of the truth.

With the Colombian government making little effort to come up with concrete proposals to tackle the healthcare crisis triggered by Covid-19 and the Colombian parliament passing utterly incomprehensible bills on the issue, Jorge Caballero Ramos decided to take matters into his own hands by using AI to create a new, fictional member of the Colombian Senate: Dora Sena. Dora's mission is to spark debate in the middle of a pandemic. But can an AI machine really write effective parliamentary bills for dystopian situations?

With the Colombian government making little effort to come up with concrete proposals to tackle the healthcare crisis triggered by Covid-19 and the Colombian parliament passing utterly incomprehensible bills on the issue, Jorge Caballero Ramos decided to take matters into his own hands by using AI to create a new, fictional member of the Colombian Senate: Dora Sena. Dora's mission is to spark debate in the middle of a pandemic. But can an AI machine really write effective parliamentary bills for dystopian situations?

With the Colombian government making little effort to come up with concrete proposals to tackle the healthcare crisis triggered by Covid-19 and the Colombian parliament passing utterly incomprehensible bills on the issue, Jorge Caballero Ramos decided to take matters into his own hands by using AI to create a new, fictional member of the Colombian Senate: Dora Sena. Dora's mission is to spark debate in the middle of a pandemic. But can an AI machine really write effective parliamentary bills for dystopian situations?

A portrait of the daily life of justice, the day-to-day petty crime in Bogotá, a city accustomed to violence and inequality. Each story, a trifle, a social reality that Colombian law always tries to punish.

A portrait of the daily life of justice, the day-to-day petty crime in Bogotá, a city accustomed to violence and inequality. Each story, a trifle, a social reality that Colombian law always tries to punish.

A portrait of the daily life of justice, the day-to-day petty crime in Bogotá, a city accustomed to violence and inequality. Each story, a trifle, a social reality that Colombian law always tries to punish.

Every day, in the maternity wards of Bogota's public hospitals, hundreds of women give birth to their children. Case by case, birth give birth, a social reality is revealed from each individual situation. To expect, to fulfill, to want, to defend, to accept and to resist, verbs that make up this direct and demystified portrait of the hospital birth and that reflect an essential part of a country.

Every day, in the maternity wards of Bogota's public hospitals, hundreds of women give birth to their children. Case by case, birth give birth, a social reality is revealed from each individual situation. To expect, to fulfill, to want, to defend, to accept and to resist, verbs that make up this direct and demystified portrait of the hospital birth and that reflect an essential part of a country.

After the driest April on record in Catalonia, rain finally arrived in May. May 25th saw the highest precipitation in Barcelona, while not ending the drought, did slow it down. On that day, we extracted climate data from the Meteorological Service of Catalonia, Meteocat, and transformed it into Generative RAIN: an audiovisual experiment that generates stories automatically using artificial intelligence (AI) models. Every hour, based on the forecast, we modified input instructions, resulting in the creation of texts, images, and sounds. We then selected and organized these elements into an audiovisual experience.

After the driest April on record in Catalonia, rain finally arrived in May. May 25th saw the highest precipitation in Barcelona, while not ending the drought, did slow it down. On that day, we extracted climate data from the Meteorological Service of Catalonia, Meteocat, and transformed it into Generative RAIN: an audiovisual experiment that generates stories automatically using artificial intelligence (AI) models. Every hour, based on the forecast, we modified input instructions, resulting in the creation of texts, images, and sounds. We then selected and organized these elements into an audiovisual experience.

A virtual reality experience through some of the most emblematic streets of downtown Bogotá, told through seven stories by one of the pioneers of crime reporting in Colombia, José Joaquín Jiménez "Ximénez". A journey through a city that once was, and will never be again.

A virtual reality experience through some of the most emblematic streets of downtown Bogotá, told through seven stories by one of the pioneers of crime reporting in Colombia, José Joaquín Jiménez "Ximénez". A journey through a city that once was, and will never be again.

The day begins at 6 a.m. in Mr. Arrow's house. Get up, shower, have breakfast, get dressed and leave. Day after day, the same programmed actions. Life is bounded, and escape is impossible.

The day begins at 6 a.m. in Mr. Arrow's house. Get up, shower, have breakfast, get dressed and leave. Day after day, the same programmed actions. Life is bounded, and escape is impossible.

The day begins at 6 a.m. in Mr. Arrow's house. Get up, shower, have breakfast, get dressed and leave. Day after day, the same programmed actions. Life is bounded, and escape is impossible.

A documentary for Discovery Channel and Señal Colombia. Fernando Trujillo is a marine biologist who has devoted his life to protecting dolphins.

Aphantasia is a short film that contemplates memory and imagination in the contemporary world. With the development of new machines to create images outside the human mind, are we witnessing the birth of a collective imagination, or the permanent atrophy of imagination?

Aphantasia is a short film that contemplates memory and imagination in the contemporary world. With the development of new machines to create images outside the human mind, are we witnessing the birth of a collective imagination, or the permanent atrophy of imagination?

Statistical Hallucination is a tribute to Chris Marker's film La Jetée (1962), a story about a time traveler obsessed with an image from his past, to produce this statistical hallucination generated with artificial intelligence systems. Instead of Jean Négroni's voice, we now have a synthetic voice. In place of photographs of a post-apocalyptic Paris, there are those imagined by an artificial intelligence. What will the images of the future be?