Didier Léon

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.

A troubled marriage is tested by the couple's involvement in a theatrical production of Racine’s Andromaque.

Parallel lives of two couples destined to suicide, one, and unhappiness, the other.

30 year old child enters the new city, riding on a donkey. He says he is the Savior. He has spent no time among men. He is trembling with cold. His clothes are soaked. His mother was overprotective ; his father conspicuously absent. He knows that he must face the mockery, refusal, ignorance and blindness of the men around him. They travel in gangs, in large numbers : soldiers, mercenaries or the like, on majestic, imposing horses. Everything is out of proportion to his thin, bewildered, innocent body ; he is the madman of the new city...

Filmed in Paris in 1964, this documentary short follows two fifteen-year-old girls from the city’s 16th arrondissement as they move through leisure, conversation, and social encounters. The film records their views on adulthood, relationships, and the future, capturing a moment of transition between adolescence and adult life.