Directing

Katarzyna Latałło

Known for

Directing

Credits

8 titles

Known for

Behind the camera

Etc… poster
NR

A metaphorical take on the struggles of being a woman focuses on yarn as the material which entangles and knots us up in its fuzzy embrace while also providing a possible means of escape.

Etc…

1973

Steering My Own Destiny poster
3.0

A contemporary man in the eye of the cyclone created by information. He finds no support for his hands and feet. It’s like in a poem by Tadeusz Rozewicz (‘falling in every direction’), he turns to dust when his time finally comes.

Steering My Own Destiny

1971

Steering My Own Destiny poster
3.0

A contemporary man in the eye of the cyclone created by information. He finds no support for his hands and feet. It’s like in a poem by Tadeusz Rozewicz (‘falling in every direction’), he turns to dust when his time finally comes.

Steering My Own Destiny

1971

No artwork available
NR

A love story between a peasant man and a peasant woman, set in a medieval kingdom.

Sąd królewski

1962

No artwork available
NR

Artists bring their paintings to a museum exhibition, with the protagonist arriving at the last moment with his own work. The exhibition features modern art, including abstract paintings, photographic collages and examples of action painting. His own contribution stands apart: a representational painting of a cow against a backdrop of fields of grain.

Pan Plastyk

1964

No artwork available
NR

A little girl’s dress discovered in the National Museum in Warsaw becomes the starting point for a story about a married couple in the early 19th century.

Kontrakt

1974

No artwork available
NR

In a gloomy kingdom ruled by a cruel tyrant, the royal executioner befriends a little girl named Katarzyna. Together, they stand up against the ruler’s oppressive reign.

Kat i Katarzyna

1965

No artwork available
NR

A wire figure approaches a tangled bundle of wire and tries to unravel it by chasing its loose end. As it grows larger, it grabs a pair of pliers and begins cutting the wire into pieces. But even the severed pieces refuse to stay apart, returning to the original tangled mass.

Kłębowisko

1966