Directing
N.T. Binh
Known for
Directing
Credits
3 titles
Known for
6.5Chinese opera, whether of the Peking variety or not, is a very demanding art-form, requiring decades of study to be even partly mastered. In this film, Yan Yuejun was a Soochow Opera performer who fell afoul of the Cultural Revolution in the 1960s, and who has served his time undergoing compulsory "re-education." Now he is living in Inner Mongolia, driving a truck for a living, which is surely proletarian enough to suit his earlier tormentors.
Lost Springtime
1990
8.0Thanks to a series of unpublished interviews, recorded shortly before his death, director Claude Sautet gives us a fascinating lesson in cinema. Through his thirteen films, he tells about his career and his work as a director.
Claude Sautet or the Invisible Magic
2003
Film historian/professor at UCLA Janet Bergstrom and Positif journalist N.T. Bihn discuss To Be or Not to Be and Ernst Lubitsch's career and legacy. The featurette also contains archival footage with Francois Truffaut and Claude Berri.
To Be... A Classic
2012
Film credits
Behind the camera
6.5Chinese opera, whether of the Peking variety or not, is a very demanding art-form, requiring decades of study to be even partly mastered. In this film, Yan Yuejun was a Soochow Opera performer who fell afoul of the Cultural Revolution in the 1960s, and who has served his time undergoing compulsory "re-education." Now he is living in Inner Mongolia, driving a truck for a living, which is surely proletarian enough to suit his earlier tormentors.
Lost Springtime
1990
8.0Thanks to a series of unpublished interviews, recorded shortly before his death, director Claude Sautet gives us a fascinating lesson in cinema. Through his thirteen films, he tells about his career and his work as a director.
Claude Sautet or the Invisible Magic
2003
