Nyneve Laura Minnear

Bettina is said to be the most beautiful woman to have ever lived in the legendary Chelsea Hotel in New York City, according to residents, yet has hidden herself away in her studio for over 40 years. She sleeps on a lawn-chair and surrounds herself with boxes stacked from floor to ceiling, filled with works of her art that have never seen the light of day. These boxes hide a stunning body of work -but it's come at a huge cost. Her life as a reclusive guardian over her creativity and artwork inspires us to think about the world that we have each chosen for ourselves, how we are captive of it or freed by it. During humorous, intimate and provocative moments, first-time Dutch director Corinne van der Borch develops a delicate friendship with Bettina and gradually unveils the life of one of New York's last true eccentrics.

In 1985, Kathleen lost her brother Eddie, an American soldier, at the hands of the Red Army Faction (RAF), a German leftist terrorist organization. Now, decades later, she decides to seek out the group responsible for his murder.

Fifteen-year-old Naka is an anomaly. An honor student in the Northern Israeli town of Nahariya, she glides through Hebrew, English and Arabic fluently, sings in a band, spends too much time on Facebook and dreams of attending the Army high school in preparation for military service. But she is not Israeli. Naka and her family are part of a community of 700 South Sudanese refugees living in Israel since 2007. They are the survivors of the largest genocide since the Holocaust. But in 60 days, she faces deportation back to her war-torn country. Their fate will create an unprecedented fracture in Israeli society. For the first time, Israel has to violently face the mirror of its own History as a people of refugees themselves.

Bettina is said to be the most beautiful woman to have ever lived in the legendary Chelsea Hotel in New York City, according to residents, yet has hidden herself away in her studio for over 40 years. She sleeps on a lawn-chair and surrounds herself with boxes stacked from floor to ceiling, filled with works of her art that have never seen the light of day. These boxes hide a stunning body of work -but it's come at a huge cost. Her life as a reclusive guardian over her creativity and artwork inspires us to think about the world that we have each chosen for ourselves, how we are captive of it or freed by it. During humorous, intimate and provocative moments, first-time Dutch director Corinne van der Borch develops a delicate friendship with Bettina and gradually unveils the life of one of New York's last true eccentrics.

In 1985, Kathleen lost her brother Eddie, an American soldier, at the hands of the Red Army Faction (RAF), a German leftist terrorist organization. Now, decades later, she decides to seek out the group responsible for his murder.

Fifteen-year-old Naka is an anomaly. An honor student in the Northern Israeli town of Nahariya, she glides through Hebrew, English and Arabic fluently, sings in a band, spends too much time on Facebook and dreams of attending the Army high school in preparation for military service. But she is not Israeli. Naka and her family are part of a community of 700 South Sudanese refugees living in Israel since 2007. They are the survivors of the largest genocide since the Holocaust. But in 60 days, she faces deportation back to her war-torn country. Their fate will create an unprecedented fracture in Israeli society. For the first time, Israel has to violently face the mirror of its own History as a people of refugees themselves.