Katie Males

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

The comedic misadventures of Roy, Moss, and their grifting supervisor Jen, a 'motley crew' of IT support workers at a large corporation headed by a hotheaded yuppie.

Adapted from the hit US series, Law & Order: UK follows a team of police detectives and prosecutors representing the public interest in the criminal justice system.

Exposing the parental-paradox that it is possible, in the very same moment, to love your child to the horizon of the universe, while being apoplectically angry enough to want to send them there.

Sitcom about a former rural parish vicar trying to cope with the varied demands of running an inner-city church.

Parallel storylines follow English perfume saleswoman Alice Chenery and American comedy writer Gil Raymond, who are seemingly perfect soulmates but never meet, as they deal with their chaotic lives and relationships.

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

The comedic misadventures of Roy, Moss, and their grifting supervisor Jen, a 'motley crew' of IT support workers at a large corporation headed by a hotheaded yuppie.

Adapted from the hit US series, Law & Order: UK follows a team of police detectives and prosecutors representing the public interest in the criminal justice system.

Exposing the parental-paradox that it is possible, in the very same moment, to love your child to the horizon of the universe, while being apoplectically angry enough to want to send them there.

Sitcom about a former rural parish vicar trying to cope with the varied demands of running an inner-city church.

Parallel storylines follow English perfume saleswoman Alice Chenery and American comedy writer Gil Raymond, who are seemingly perfect soulmates but never meet, as they deal with their chaotic lives and relationships.

Cradle to Grave is a British autobiographical miniseries created by Danny Baker, about his formative years in the 1970s. Produced by ITV Studios for BBC Two, it stars Laurie Kynaston as Danny, with Peter Kay and Lucy Speed as his parents Spud and Bet. In 1974, 15-year-old Danny is our guide through the ups and downs of the Baker family. With eldest daughter Sharon's impending wedding and the docks facing closure, times are challenging. So too are Danny's attempts to get closer to the opposite sex.

Pramface is a BBC Three television comedy series starring Scarlett Alice Johnson, Sean Michael Verey, Ben Crompton, Bronagh Gallagher, Anna Chancellor and Angus Deayton. Written by Chris Reddy and produced by BBC/Little Comet, the six-part first series commenced transmission on 23 February 2012. The second series began on 8 January 2013, with the first episode 60 minutes long, as a special, and the remainder of the series consisted of the usual 30 minute episodes. The second series concluded on 19 February 2013. A third series was confirmed on 29 April 2013.

The story of the audacious jewellery, gold and cash burglary at the heart of London's diamond district executed by an elderly gang of career criminals across the Easter Bank Holiday weekend in April 2015.

The Kevin Bishop Show was a sketch comedy written by and starring English comedian Kevin Bishop, part of the Star Stories team. The show was commissioned by Channel 4 for a six-part series starting on the 25th of July 2008 at 10pm. A pilot was broadcast on the 23rd of November 2007 as part of Channel 4's Comedy Showcase and the programme soon earned interest for its incredibly fast pace; 42 sketches were shown in 23 minutes. The show was nominated for Best New Comedy at the 2008 British Comedy Awards. The show started its second series on Friday the 31st of July 2009 at 10pm on Channel 4.

Revolving around the life of Vivienne Vyle, a daytime TV presenter/agony aunt in the mold of Trisha, the show focuses on not only the problems of her guests but the problems Vivienne faces herself in regards to her love and home life.