Inna Belikova

Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes - life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.

A small group of Americans travel to Ukraine to film a documentary about the cannibalism epidemic that swept through the country during the famine of 1932. After being lured deep into the Ukrainian forest for an interview with one of the last known survivors, they quickly find themselves trapped in a supernatural hunting ground.

With the beginning of the war, Katia decided to leave her hometown and take her mother. But mother is getting her nails done.

A big Russian city- not necessarily Moscow, but the kind that is bustling with all types of life including criminal so the police are not without business. A young agent by the name of Nikolay, whose ancestors on his mother's side are Georgian, walks into the department which is busy with the investigation of a murder committed by a mysterious blind killer. His intuition leads him to a group of people whose destiny was broken by the Chechen War. This peaceful town finds its sinister inside, and Nikolay's noble impulses runs into the cruel and corrupt reality.

Sasha is overwhelmed by problems and melancholy. Inspired by memories of the past, she tries to escape everything, returning from Manchester to Kyiv to visit her mother and try to mend a long-lost relationship. However, things don’t unfold as she had hoped from the moment she steps through the door.

Looking at this story with no place enough for a third person, a therapist would shout something about complexes, and a civil engineer something about square meters.