Zoya Rupasova

Peter the Great takes a Russian man of African heritage - Ibrahim Petrovich Hannibal - under his wing as the tsar builds his grand navy. After having a disastrous affair in France, Ibrahim vows to never fall in love again, until he sees the daughter of a wealthy boyar. Peter the Great insists the two be married, but Ibrahim goes against the tsar's wishes, refusing to force her to marry him since she doesn't consent. When another man tries to marry her, however, Ibrahim's loyalties and generous nature are put to the test.

The film is a reflection on the responsibility of man to other people, native nature and the world around us, the problem of preserving Lake Baikal, on the banks of which a large construction project has unfolded. The first half of the 60s of the XX century, the story of the love of young Lena Barmina to an adult respectable person, bearing on his shoulders a heavy burden of responsibility for the activities of a huge enterprise. Construction engineer Chernykh and Lena, the daughter of a scientist, are doing everything to save the lake from harmful and unjustified plums. A difficult relationship develops between them and soon Lena realizes that she is in love. But after learning that Chernykh is married, the girl leaves...

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

As Moscow is set ablaze by the retreating Russians, the Rostovs flee their estate, taking wounded soldiers with them, and unbeknownst to them, also Andrei. Pierre, dressed as a peasant, tries to assassinate Napoleon but is taken prisoner. As the French are forced to retreat, he's marched for months with the Grande Armée, until being freed by a raiding party. Part four of the four-part adaptation of Leo Tolstoy's 1869 novel.

A story about Soviet women and their village set during the years after WWII.

Russian nobleman Fyodor Ivanovich Lavretsky returns to his estate after years in Paris, only to fall in love with his young cousin Liza, complicating his already troubled marriage and leading to a tragic, emotionally complex romance.

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.