Tanya Shahova

A military satire inspired by wild real-life events from the 1990s when, in the chaotic aftermath of the fall of communism, a task force comprised of high-ranking Bulgarian army officers and psychics embarked on a top-secret military operation in the small village of Tsarichina to dig up an elusive alien artifact that would change the course of history and make Bulgaria great again.

After years of saving from the petty bribes they collect, sixty-year-old Marina and Gosha from Bulgaria dream of travelling to Saint Petersburg for the White Nights. When Russia invades Ukraine and the travel agency vanishes with all their savings, their dream collapses along with their illusion of control over their morals and their relationship.

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Blaga is a seventy-year-old recently widowed former teacher and a woman of firm morals. When telephone scammers con her out of the money that she had saved for her husband’s grave, her moral compass slowly begins to lose its bearings…

Alexander returns to Bulgaria from Denmark for his mother's funeral. Instead of confronting his estranged relatives, he embarks on a journey across Sofia with his sister, Kalina. Together, they wander through the city, possibly in search of their long-absent father. Along the way, through chance encounters with old friends and visits to cherished spots from their past, the siblings rediscover the closeness they once shared.

Smart, angry, self-reliant Dida will stop at nothing to achieve a single tangible goal – to buy a plane ticket so she can join her estranged mother in the United States.

Vasil has just lost his long-time partner in life, his wife Ivanka. When a woman at her funeral proclaims that the dead woman called her cellphone, Vasil seeks out the help of a well-known psychic in order to try to contact his wife. His son Pavel tries to bring him to his senses, but Vasil stubbornly insists on doing things his own way… Following the internationally successful The Lesson and Glory, Grozeva and Valchanov return with an intimate family drama about the difficulties of connecting with those close to us. As the picture slowly gathers momentum, its story unfolds many of the carefully arranged absurd or comic situations typical for the Bulgarian filmmaking duo.

When Tsanko Petrov, a railroad worker, finds millions of lev on the train tracks, he decides to turn the entire amount over to the police. Grateful, the state rewards him with a new wristwatch… which soon stops working. Meanwhile, Julia Staikova, the head of PR for the Ministry of Transport, loses his old watch. Here starts Petrov’s desperate struggle to get back not only his old watch, but his dignity.

Sofia, the 90's. Emilia's colorful group of friends are portrayed in a series of separate but intertwined stories. On its own each story peers into the life of a single downtrodden person. Viewed as a whole, they portray a common struggle of coming to terms with the uncertain world these people live in, and how it all weighs on Emilia.

Two eternal opposing theses - play is our life or life is our play - are the base of music, dance and verse which fit together in this film.

Teenagers Margarit and Margarita are in love. When Margarit defends Margarita from a joke at school, he gets expelled, and she joins him. Initially, things seem promising as Margarita has a chance to study folk dance with Julian, a gay instructor, and possibly join his company. Both Margarit and Julian are jealous, though it’s unclear of whom. Julian frames Margarita, and Margarit takes the blame. Margarita then attracts the attention of Nerizanov, a lustful and bisexual party boss, leading to further complications.

Friends of different generations, practicing different professions, spend together their summer holidays at the seaside every year. It is sunny; they look carefree and happy. They know each other very well, they are used to each other. To such an extent, that bore becomes inevitable. It is boredom that incites them to play a dangerous game. The end is dramatic: a young boy gets killed. It is the moment to draw the bottom line. The question is: Isn't the death of the spirit worse than of the body?

Maya lives in Burgas on the coast of the Black Sea. She's a young woman trying to find herself. The film features the poetry of Petya Dubarova and is loosely inspired by her life.

A story about a writer and a young poetess