Jonathan Lewis

This ten-part docuseries tells the comprehensive story of the First World War, featuring excerpts written by Winston Churchill, Karen Blixen, Georges Clémenceau, David Lloyd George, Siegfried Sassoon and Rudolf Hess.

How the Anglo-Irish Treaty between the unrecognised Irish Republic, represented by Michael Collins, and the British government was concluded after high-stakes negotiations in 1921.

Newsreels from the '30s constitute the bulk of this fascinating documentary, clearly illustrating that the public was fed an extremely biased view of events: straight propaganda, the stricture to provide entertainment, and the attempt to be objective all contributing to this. Lewis and producer Elizabeth Taylor-Mead have constructed their argument well, but it is Jonathan Dimbleby's brief comments towards the end that contain the crucial lesson: forty years on, the same forces work to distort our view of Northern Ireland. The film only indicates this to be the case, but it is precise and coherent enough to make the point with considerable force.

In a garden in a London suburb, corpses sprout out of the earth on during a live television gardening programme called Down to Earth. However, it soon appears that these human bodies are not dead people, they are grown there, like plants. The question is who is growing these bodies and for which purpose.

A BAFTA award nominated black comedy about life and death in a London tower block.

As World War II draws to a close thousands of Russian soldiers overtaken by the Allied advance in Europe find themselves in England - and they like it. The major of one particular camp foresees problems should they have to go back; but as he says, 'They're only going home, after all!' - but home to what?

This ten-part docuseries tells the comprehensive story of the First World War, featuring excerpts written by Winston Churchill, Karen Blixen, Georges Clémenceau, David Lloyd George, Siegfried Sassoon and Rudolf Hess.

How the Anglo-Irish Treaty between the unrecognised Irish Republic, represented by Michael Collins, and the British government was concluded after high-stakes negotiations in 1921.

Newsreels from the '30s constitute the bulk of this fascinating documentary, clearly illustrating that the public was fed an extremely biased view of events: straight propaganda, the stricture to provide entertainment, and the attempt to be objective all contributing to this. Lewis and producer Elizabeth Taylor-Mead have constructed their argument well, but it is Jonathan Dimbleby's brief comments towards the end that contain the crucial lesson: forty years on, the same forces work to distort our view of Northern Ireland. The film only indicates this to be the case, but it is precise and coherent enough to make the point with considerable force.

In a garden in a London suburb, corpses sprout out of the earth on during a live television gardening programme called Down to Earth. However, it soon appears that these human bodies are not dead people, they are grown there, like plants. The question is who is growing these bodies and for which purpose.

In a garden in a London suburb, corpses sprout out of the earth on during a live television gardening programme called Down to Earth. However, it soon appears that these human bodies are not dead people, they are grown there, like plants. The question is who is growing these bodies and for which purpose.

A BAFTA award nominated black comedy about life and death in a London tower block.

As World War II draws to a close thousands of Russian soldiers overtaken by the Allied advance in Europe find themselves in England - and they like it. The major of one particular camp foresees problems should they have to go back; but as he says, 'They're only going home, after all!' - but home to what?