Federico Pintos

Led by a video jockey who's trying to hack the brain, the director of this film wanders into the labyrinth of a metaphysical discussion regarding the limits of experimentation and videoreality as the future of the human species.

For over six years, Javier and Valeria have been trying to get pregnant. At work Javier is approached by Camila, a coworker, and tells him she is pregnant with his baby. In the following days, his relationship—indeed, his entire existence—starts to fall apart.

"You might think that people are tired of silly love songs / but I look around and see that they are not," sang Paul McCartney. And those verses seem to guide Karin Idelson's camera in this exploration of, to call them somehow, the "popular applications" of romantic songs. Cumbia, soft-rock, reggaeton, pop, boleros, hits from the '80s and from before too: music is in the air of the city, and a love song traps it in places where it is so naturalized that we hardly pay it attention but also, and especially, in the most hidden or unusual.

Between 1910 and the end of World War II, Korea belonged to the Japanese Empire. Since then the Koreans, known in Japan under the name of "zainichi", are the first ethnic minority. Sometimes the zainichi still try to hide their origin. After the death of his grandmother, the last member of a Korean family begins a journey to his hometown.

Led by a video jockey who's trying to hack the brain, the director of this film wanders into the labyrinth of a metaphysical discussion regarding the limits of experimentation and videoreality as the future of the human species.

Led by a video jockey who's trying to hack the brain, the director of this film wanders into the labyrinth of a metaphysical discussion regarding the limits of experimentation and videoreality as the future of the human species.

For over six years, Javier and Valeria have been trying to get pregnant. At work Javier is approached by Camila, a coworker, and tells him she is pregnant with his baby. In the following days, his relationship—indeed, his entire existence—starts to fall apart.

"You might think that people are tired of silly love songs / but I look around and see that they are not," sang Paul McCartney. And those verses seem to guide Karin Idelson's camera in this exploration of, to call them somehow, the "popular applications" of romantic songs. Cumbia, soft-rock, reggaeton, pop, boleros, hits from the '80s and from before too: music is in the air of the city, and a love song traps it in places where it is so naturalized that we hardly pay it attention but also, and especially, in the most hidden or unusual.

Between 1910 and the end of World War II, Korea belonged to the Japanese Empire. Since then the Koreans, known in Japan under the name of "zainichi", are the first ethnic minority. Sometimes the zainichi still try to hide their origin. After the death of his grandmother, the last member of a Korean family begins a journey to his hometown.

Between 1910 and the end of World War II, Korea belonged to the Japanese Empire. Since then the Koreans, known in Japan under the name of "zainichi", are the first ethnic minority. Sometimes the zainichi still try to hide their origin. After the death of his grandmother, the last member of a Korean family begins a journey to his hometown.