Thạch Kim Long

The Haunted House revolves around Mrs. Hiền, a woman who single-handedly raises her three children after her husband’s death in an accident. Everything begins when her middle son, while casting his fishing net, pulls up a tightly sealed earthen jar from the water. From that moment on, a series of strange and terrifying events start haunting the family.

Phi - a free fighter - decides to hunt down the evil after the unexpected death of his wife. In Mu Suong village, he not only faces Ba Rau - his wife's rival - but also discovers a series of terrifying secrets here. Ba Rau is also the long-term fear of the people here. Fate once again gives Phil in the middle of a choice: vengeance on Ba Rau or protect the people of Mu Suong village?

Set in the poor Mekong Delta coastal village of Thơm Rơm, the film follows the lives of three women, whose love lives are unusual and unique to their nature. The film is narrated from Hau's perspective, as she experiences life with a husband who only has eyes for another woman, and develops her growing friendship with her rival.

When Mr. Quang’s extended family returns to their hometown to perform a long-delayed reburial ritual, they find themselves not only confronting ancient spiritual traditions but also awakening a generational cycle of karmic retribution.

When a little girl is kidnapped by a trafficking ring, they soon find they messed with the wrong child. Her mother, a notorious former gang leader, is close on their trail and will go to any lengths to bring her child home.

Set against a gloriously filmed backdrop of the distinctly jaded charm of mid-90s Saigon, the lives of two men intertwine as they are both bound by traditions and honor. One to his mafia family, the other to the traveling troupe that performs elaborate classic operas. Yet they have much more in common than either wants to admit.

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In an old house in Hanoi, Bi, a 6-year-old child lives with his parents, his aunt and their cook. His favorite playgrounds are an ice factory and the wild grass along the river. After being absent for years, his grandfather, seriously ill, reappears and settles at their house. While Bi gets closer to his grandfather, his father tries to avoid any contact with his family. Every night, he gets drunk and goes and see his masseuse, for whom he feels a quiet strong desire. Bi's mother turns a blind eye on it. The aunt, still single, meets a 16-year-old young boy in the bus. Her attraction to him moves her deeply.

The film recounts the life of Ly Cong Uan from his youth as a Buddhist disciple to his ascension to Emperor of Vietnam in 1010 AD. The Prince and the Pagoda Boy was released in 2010 to mark the 100th anniversary of the city of Thang Long (today's Ha Noi).

In a near future Vietnam where global warming and rising seawater levels have forced cultivation to be done on floating farms, a strong-willed woman has to make a critical decision about her ex-lover, a suspect of her husband's murder.

In hopes of getting her family out of poverty, 17-year-old Mai follows a neighbour's offer and leaves her small fishing village in Central Vietnam to work as a seamstress in Saigon, not knowing her neighbour had sold her into prostitution, and a grisly fate awaits her upon arrival.

Kim is 15; his father and step-mother have two buffalo, their lifeline as subsistence rice farmers. During the rainy season, there's no grass and the buffalo are starving. Kim volunteers to take the beasts inland to find food. On this coming-of-age journey, Kim sees men mistreat women, men fight with men, and French taxes rob the poor. He works for Lap, a buffalo herder whose past is entangled with Kim's parents, and he makes friends who will lead him to his place in the world.

Relationships within a family of illegal loggers gone turbulent when the son starts an affair with his father's lover.