Jean-José Frappa

King Louis XI tries to unify France by all means fair or foul, which does not please his powerful rival Charles the Bold. It is against this troubled backdrop that the loves of the daughter of a wealthy bourgeois and the king's god-daughter Jeanne Fouquet and knight Robert Cottereau unfurl in spite of all the obstacles in their way. One of these being a pack of hungry wolves trying to stop Jeanne from carrying out an important mission assigned to her by the king himself.

In 1776, an inventor conceals a Polish nobleman in his chess-playing automaton, a machine whose fame leads it to the court of the Russian empress.

This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.

Paris, 30's declared professional rivalry between two stars of the musical, Yvonne and Gaby leads to dire consequences. Yvonne's body is found in the theater. Gaby's future is threatened against the judgment to which it is subjected, with a probable prison sentence.

King Louis XI tries to unify France by all means fair or foul, which does not please his powerful rival Charles the Bold. It is against this troubled backdrop that the loves of the daughter of a wealthy bourgeois and the king's god-daughter Jeanne Fouquet and knight Robert Cottereau unfurl in spite of all the obstacles in their way. One of these being a pack of hungry wolves trying to stop Jeanne from carrying out an important mission assigned to her by the king himself.

In 1776, an inventor conceals a Polish nobleman in his chess-playing automaton, a machine whose fame leads it to the court of the Russian empress.

This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.

Paris, 30's declared professional rivalry between two stars of the musical, Yvonne and Gaby leads to dire consequences. Yvonne's body is found in the theater. Gaby's future is threatened against the judgment to which it is subjected, with a probable prison sentence.