Elle-Máijá Tailfeathers

A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.

The dead are coming back to life outside the isolated Mi'kmaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.

Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.

Set within the fluidity of time, touch, realism and reverie. Some may call this magic realism. Based within Indigenous knowledge and way of life, this story allows two people to heal, through touch, calm, love and patience in a fantastical space that leaves the audience dreamlike and yet it is dangerous and violent, there is love.

The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

Based on a true story, a powerful study of the dysfunction and disorder in the police and criminal justice systems that allowed a wily psychopath to murder nearly 50 marginalised women from Vancouver's Downtown Eastside.

When a Western movie star is forced to spend a PR weekend at a dude ranch, his fans are horrified to learn he's actually a city slicker who's afraid of horses and has never been west of the Hudson River.

Abandoned cars rest silently in fields for decades, still holding secret conversations within their bodies.

After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.

When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event.

Eliza is an unassuming and beloved member of a small fishing community in Newfoundland who sees all of her relationships put in jeopardy after her secret social media persona is exposed.

Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.

Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.

Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

This ultra-short film proves that walls are real and borders are imaginary with an animated critique of long-term detention for minors in immigration centres.

Hailing from the remote village of Alert Bay, British Columbia snowboarder Spencer O’Brien dedicated her life to becoming a world champion. But, being driven to win came at a cost. Snowboarding at the elite level was taking Spencer further from her Indigenous heritage than she realized. Precious Leader Woman tells Spencer’s story from childhood to the world stage, to coming full circle to embrace her identity as she pushes forward bringing her heart and soul to her next challenge, the backcountry.

After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.

After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.

When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event.

When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.

People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.

Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.