Directing
Beppe Recchia
Born — Died
1934-05-21 — 2007-06-08
Place of birth
Pontenure, Emilia-Romagna, Italy
Known for
Directing
Credits
4 titles
Beppe Recchia, at the registry office Giuseppe Recchia (Pontenure, 21 May 1934 - Milan, 8 June 2007), was an Italian television director. His television debut took place in Rai in 1960, where over the years he worked with such characters as Giorgio Gaber, Cochi and Renato, Franca Valeri, Sandra Mondaini, Pippo Baudo, Enzo Tortora and many others. In 1971 he was the director of the television miniseries. dad Ubu? together with Vito Molinari. In 1974, Recchia received the Flaiano Prize for the screenplay. A great lover of modern television comedy, he worked with Roberto Benigni in Onda Libera in 1976. He then passed into private television debuts on Telebiella, later he collaborated with Tele…
Known for
5.4No synopsis available yet.
The Three Musketeers
1991
A sculptor, in the company of a disciple, isolates himself in an underground room, no longer able to identify with a society without any value. His personal revolution is no longer to create anything, but simply to wait. However, he is forced to receive unwelcome visits that keep him in touch with the absurdities of the outside world. When he finally decides to go out to the surface, he will find a world worse than when he left it.
The Deserted Piazza
1971
Behind the camera
5.4No synopsis available yet.
The Three Musketeers
1991
5.4No synopsis available yet.
The Three Musketeers
1991
A sculptor, in the company of a disciple, isolates himself in an underground room, no longer able to identify with a society without any value. His personal revolution is no longer to create anything, but simply to wait. However, he is forced to receive unwelcome visits that keep him in touch with the absurdities of the outside world. When he finally decides to go out to the surface, he will find a world worse than when he left it.
The Deserted Piazza
1971
A sculptor, in the company of a disciple, isolates himself in an underground room, no longer able to identify with a society without any value. His personal revolution is no longer to create anything, but simply to wait. However, he is forced to receive unwelcome visits that keep him in touch with the absurdities of the outside world. When he finally decides to go out to the surface, he will find a world worse than when he left it.
The Deserted Piazza
1971