Roju

A hostel warden becomes the target of a dreaded politician and his gangster son, but little do they realise that it is they who should fear him.

An anthology of five stories that follow characters who experience supernatural occurrences through material objects around them.

An espionage agent who is branded a traitor returns from exile to take down a dubious water project and safeguard the country.

Serendipity plays matchmaker when it brings together a compulsive thief and an unlucky pickpocket who find themselves being drawn closer to each other with every theft they pull off.

A free-spirited girl gets the shock of her life when she finds herself naked in an abandoned building after a late-night party.

Aviyal is a collection of four short films : A young man attracted to his aunt, a filmmaker chasing robbers who have stolen his short film, two friends going on a trip to deposit the ashes of their friend and a gangster narrating a story.

An anthology of five stories that follow characters who experience supernatural occurrences through material objects around them.

Serendipity plays matchmaker when it brings together a compulsive thief and an unlucky pickpocket who find themselves being drawn closer to each other with every theft they pull off.

The series follows 24 year old Mahati (Amrutha Srinivasan) through a series of misadventures that begin after being forced into an arranged marriage. Then the newly married Mahati accidentally stabs her husband to death in self-defense after a heated argument. She then promptly wipes her blood-spattered face and calls her boyfriend to clean up the mess. This sets off a chain of events that the true nature of every character involved in this marriage

An espionage agent who is branded a traitor returns from exile to take down a dubious water project and safeguard the country.

Aviyal is a collection of four short films : A young man attracted to his aunt, a filmmaker chasing robbers who have stolen his short film, two friends going on a trip to deposit the ashes of their friend and a gangster narrating a story.

A quiet morning in a 1980s traditional household in Tamil Nadu spirals into slapstick chaos when three women claim to see a ghost that no one else can. In this sharp satire, the family’s frantic attempts—relying on a stranger’s advice and a ghost hunter—only escalate the confusion, as the lines between possession and protest begin to blur.