Camera
Lars Barthel
Born 1953-01-01 · Erfurt, Germany
Acting credits
6.0Documentary about poet Sascha Anderson.
Anderson
2014
NRSix directors, one film: in episodes, they recall their experiences at the end of the GDR and the fate of a family under National Socialism. They talk about making films despite censorship, about the search for opportunities. They tell of losses, of leaving, of staying and of love in exile. A film about the longing for home and the endurance of friendships.
Liebe und Zorn
2024
Founded in 1954 as the “Deutsche Hochschule für Filmkunst”, today's “Hochschule für Film und Fernsehen” is celebrating its 50th anniversary. The documentary traces the history of the university. Graduates of the school have their say and excerpts of student films from five decades are presented.
Ein bisschen Luft unter die Flügel
2004
Behind the camera
NRIn the Kabul Museum, archaeologists piece together fragments of millennia-old works of art. This endeavor seems surreal amid the destruction. The cinematically fascinating landscape is mined. How can one survive without legs? The Kabul Orthopedic Center, the focus of the film, is a place of hopes and dreams. "One leg is not enough," says its dedicated director, "you have to create prospects for life."
Splitter Afghanistan
2015
9.0Lars Barthel asks his Jamaican wife Antoinette why she often wears hair extensions. This personal curiosity leads Lars and his film to some complex and politically-charged questions. What is the relationship between hair and racism? And where do the hair extensions actually come from?
Get Me Some Hair!
2018
9.0Lars Barthel asks his Jamaican wife Antoinette why she often wears hair extensions. This personal curiosity leads Lars and his film to some complex and politically-charged questions. What is the relationship between hair and racism? And where do the hair extensions actually come from?
Get Me Some Hair!
2018
NRNo synopsis available yet.
Les hommes du désert : dans les pas des chameliers du Sahara
2020
NRSix directors, one film: in episodes, they recall their experiences at the end of the GDR and the fate of a family under National Socialism. They talk about making films despite censorship, about the search for opportunities. They tell of losses, of leaving, of staying and of love in exile. A film about the longing for home and the endurance of friendships.
Liebe und Zorn
2024
NRSix directors, one film: in episodes, they recall their experiences at the end of the GDR and the fate of a family under National Socialism. They talk about making films despite censorship, about the search for opportunities. They tell of losses, of leaving, of staying and of love in exile. A film about the longing for home and the endurance of friendships.
Liebe und Zorn
2024
An adaptation based on a story by Edgar Allan Poe.
Eleonora
1976
6.0Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.
Als wir die Zukunft waren
2016
6.0Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.
Als wir die Zukunft waren
2016
NRA man receives a mysterious assignment from his deceased wife. He shall scatter their ashes to the wind.
Mein Tod ist nicht dein Tod
2007
