Andrew Chau

Welcome to Ward 816, a place filled with incredible children who are true warriors. Each of them carries a badge symbolising their strength in fighting various diseases. In this bustling ward, there's a special group, including Yuan, Shi-yan, Heng, Nuala, Jia-nong, and Da-shan. Despite their parents' occasional arguments, they always come together to support one another when it matters most.

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

A gay man and a lesbian arrange to have a "fake" marriage to appease their families. Hijinks ensue. The lesbian falls in love with her "husband's" twin sister and things begin to get even more complicated.

When her grandmother is injured, carefree slacker Fang-Ru reluctantly takes over the family hot spring inn—only to discover it is buried in debt. Teaming up with the inn’s sharp-tongued receptionist and a charming American work-exchange traveler, Fang-Ru launches a desperate rescue plan, relying on creativity rather than cash to save the struggling business.

No synopsis available yet.

In the Hive, love blooms amidst a brutal struggle for survival. Ian and Lily face Monsters and perils to escape, with their fate intertwined with a sacrifice that challenges the depths of their love and haunts their journey forever.

A young woman comes home to Taiwan, to say goodbye to her father before he goes to prison.

No synopsis available yet.