Jessica Sherr

Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks—advised by his brilliant VP and his shrewd and scheming campaign advisor—makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.

Annie, a 35-year-old former dancer, plows through each day desperately wanting to be the best mother, wife and provider she can be - and she’s been successful. She’s removed dance from her life so completely that even in her dreams dance is pushed behind closed doors. When a rival from Annie’s past makes her confront her feelings, she must decide if she’ll continue to lock her dreams away or allow the deepest parts of herself to take the stage.

Lucifer, Satan, and the Devil meet with a corporate PR agent to rehabilitate their images - which includes reminding the world that they're women. But when they discover that the agent is more evil than they are, they vow to take down the world's really bad humans and reclaim the mantle of "Top Evil".

It’s the 1939 Academy Awards. The L.A. Times leaks the winners and a fuming Bette Davis storms out of the Oscars in this one-woman off-broadway show.

As the Dark Lord finalizes his plan to dominate our world, intrepid reporter Carl Kolchinski investigates

Creature of habit, Jon Smith, spends his days mindlessly working as a barista in New York City. When night falls, this seeming everyman savagely kills "filthy women" as his social outlet. A chance encounter with Delia, a young prostitute searching for an escape from her troubled past, forces Jon to confront the most terrifying thing he has ever faced in all his dark affairs - himself. All God's Creatures examines the true nature of what it means to be a monster and reveals that love is not only for a chosen few, but for all God's creatures.

Lucifer, Satan, and the Devil meet with a corporate PR agent to rehabilitate their images - which includes reminding the world that they're women. But when they discover that the agent is more evil than they are, they vow to take down the world's really bad humans and reclaim the mantle of "Top Evil".

It’s the 1939 Academy Awards. The L.A. Times leaks the winners and a fuming Bette Davis storms out of the Oscars in this one-woman off-broadway show.