Jeong Da-hee

NEF Animation (nefanimation.fr) and Fontevraud Abbey are celebrating the 10th anniversary of the Fontevraud International Writing Residency for Animated Film in October 2017. A book and DVD set is being released for the occasion, featuring fifteen animated short films written during residencies at Fontevraud Abbey. Fifteen films, fifteen perspectives, fifteen worlds, presented in a video medley lasting a few minutes.

When morning arrives in Society of Clothes, shirts and pants step outside the closet, transforming into living entities. In the world of the film, everyone exists solely as clothes, wandering into the streets bodiless and faceless. But the routine of this strange place is disrupted one day when a human child with flesh and bones appears, turning their everyday existence upside down.

In the woman’s room, memories constantly accumulate and disappear like dust. The man spends his time in this room creating futile little games with woman’s memories.

A collection of stories which explore the differences and resemblances between the life cycles of trees and humans.

“Man on the chair” is tormented and constantly doubts his very own existence.

The body is used to create the alphabet.

NEF Animation (nefanimation.fr) and Fontevraud Abbey are celebrating the 10th anniversary of the Fontevraud International Writing Residency for Animated Film in October 2017. A book and DVD set is being released for the occasion, featuring fifteen animated short films written during residencies at Fontevraud Abbey. Fifteen films, fifteen perspectives, fifteen worlds, presented in a video medley lasting a few minutes.

When morning arrives in Society of Clothes, shirts and pants step outside the closet, transforming into living entities. In the world of the film, everyone exists solely as clothes, wandering into the streets bodiless and faceless. But the routine of this strange place is disrupted one day when a human child with flesh and bones appears, turning their everyday existence upside down.

When morning arrives in Society of Clothes, shirts and pants step outside the closet, transforming into living entities. In the world of the film, everyone exists solely as clothes, wandering into the streets bodiless and faceless. But the routine of this strange place is disrupted one day when a human child with flesh and bones appears, turning their everyday existence upside down.

When morning arrives in Society of Clothes, shirts and pants step outside the closet, transforming into living entities. In the world of the film, everyone exists solely as clothes, wandering into the streets bodiless and faceless. But the routine of this strange place is disrupted one day when a human child with flesh and bones appears, turning their everyday existence upside down.

In the woman’s room, memories constantly accumulate and disappear like dust. The man spends his time in this room creating futile little games with woman’s memories.

In the woman’s room, memories constantly accumulate and disappear like dust. The man spends his time in this room creating futile little games with woman’s memories.

A collection of stories which explore the differences and resemblances between the life cycles of trees and humans.

“Man on the chair” is tormented and constantly doubts his very own existence.

“Man on the chair” is tormented and constantly doubts his very own existence.

The body is used to create the alphabet.

A monk carves one thousand Buddha statues throughout the year to enter nirvana.

In the space of 10 minutes, the African baobab tree grows 0.008 mm, the fastest dog in the world, the Greyhound, can run 12 km, and the Earth travels 18,000 km around the Sun. "Movements" is a 10-minute film which I drew at a rate of 2 seconds of animation per day. We are all walking, seeing, working, running, and stopping together.

In the space of 10 minutes, the African baobab tree grows 0.008 mm, the fastest dog in the world, the Greyhound, can run 12 km, and the Earth travels 18,000 km around the Sun. "Movements" is a 10-minute film which I drew at a rate of 2 seconds of animation per day. We are all walking, seeing, working, running, and stopping together.

Everyday, the main character, who is confined in a dark room, sees sunlight coming through the window: he flees from the closed place to an infinite one.