Hung Po

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

Long unemployed and stone-broke, Shen Jiaguang is dealt a further blow when his wife Lu Xiaoyin has fallen seriously ill and their son Xiaoguang has to quit school.

'Ghostly Mother Blue Flower' Chiu Choi-wan has abducted a group of virgin boys and girls for the nourishment of her mind and soul. Alarmed by the abduction, Yiu But-fan, Kau Suet-mui and Hung Tin-bo make a night raid on the Hanshan Temple to release the children and set a torch to the bandit lair. Fuming over the arson, Chiu casts a spell on Kau, who kills the father of Chuk Yuk-heung in her cross-dressing persona as Yiu. Confronted by the angry Chuk clansmen at the Chuk Fortress, Yiu tries futilely to defend his innocence. Believing that Chiu has masterminded the framed murder, the fugitive infiltrates the White-bone Yinyang Cave where he finds himself attacked by Kau and Chiu. Demon-vanquishing Magic Monk, Chuk and Hung helped Yiu wrestle Chiu, who fled. Kau is nursed back to health by the monk and joins the fellowship in their quest to annihilate the demon. With all her venomous needles forfeited to the monk, Chiu gets her comeuppance, slain by Chuk's flying dagger.

Beyond the Great Wall is a true story based on how Wang Chao-chun sacrificed her love and life for the good of the Chinese people during war time fears between China and the Huns.

Historical Drama

Yiu But-fan marries on the day his father Yan-kit retires as a distinguished swordsman when Yan-kit's nemesis 'Ghostly Mother Blue Flower' Chiu Choi-wan and her foster son Lai Chun-wah gatecrash the party, striking dead the elder and But-fan's wife with the White-bone Soul-thrashing needles. Having pledged his alliance to the anguished son, Taoist Tranquil of Emei vows to eradicate the menace at Mid-Autumn Festival when his junior disciple Kau Suet-mui is challenged to a duel with Chiu. Kau's fellow disciples Hung Tin-bo and Chuk Yuk-heung follow the orders of their master to roam the martial world and tumble into a bandit lair. Extricated from danger by the Taoist, the duo join hands with the passer-by Yiu to thwart Lai's assault on Kau by sorcery, again aided by the Taoist. Yiu, Kau and her peers head back to the Kau Fortress where a martial contest is being held to select a prospective groom for the daughter. Kau overwhelms Lai in the ring but concedes defeat to Chiu.

No synopsis available yet.

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

Enter the dragon villain, Shek Kin, is the Leader of the Black Centipede clan, a ruthless gang who terrorize the good people of Fuzhou, Walter Tso and Connie Chan are taught some tricks from---old Sam the Seed himself on how to bring down the Black Centipede clan.

The story of a self-disciplined singing girl who has different love endings and experiences.

A Shaw Brothers production

A middle-aged couple adopt a young girl.

Guerrilla fighter Lam Suet-fan is in charge of the operation which succeeds in crippling the traitorous activities of Ting Chuen. An infuriated Ting strikes back, swamping the occupied territory with spies and exposes the singer disguise of Lam's comrade Laura who is made his mistress. Through the discreet help from Ting's cousin Sai-kit who goes undercover as the traitor's house guest, a series of offensives are launched, resulting in heavy casualties in the Japanese camp. With pressure mounting on both sides, guerrilla leader Lady Spy No.1 entrusts the mission of bombing Ting's signal tower to Lam who will then lead the troop in retreat. The mission fails, leading to the arrest of Lam and Sai-kit. Laura puts her life at stake in order to accomplish the mission and before she expires, reveals herself to be their leader and names Lam her successor to lead the troop to its stronghold in the north. (Synopsis based on audiovisual materials)

The third film of ‘The Greatest' film series plays down cultural differences for an amusing cross-dressing comedy that features another great collaboration between Leung Sing-por and Liu Enjia. This time, Leung puts on omega hair and woman's clothing, posing as a rich woman in order to help his two friends get love. Liu is equally amusing, sharing the dance floor with Leung in a hilarious dance scene. Loosely based on the British play Charley's Aunt, the film is a delightful comedy on grassroots, offering a refreshing alternative to MP & GI's usual line of comedies.

A newly appointed court official is shocked at the corruption he witnesses.

This is a musical about a young emperor who is lured via stories told to a place called Kiang-Nan by his royal tutor. The empress mother has the tutor go to Kiang-Nan to bring him back.

This is a 1952 Hong Kong drama film directed by Bu Wancang, Kuang-Chi Tu, Wang Yin and Shankun Zhang. It stars Chou Man-Hua and Li Li-Hua.

Early Shaw Brothers crime film

A Shaw and Sons production.

Girl on the loose is a 1954 Hong Kong film, directed by Wang Yin.

A Shaw and Sons production.

No known plot

A Shaw Brothers production.

A Shaw and Sons production about a couple who loves each other but end up marrying different people because of parental pressures.

A Shaw Brothers production

Rich girl, Wu Qiu, is jealous of the relationship between journalist, Xu Shao Tang and singer, Chen Feng Juan. Wu Qiu hatches a plan to separate the couple with disastrous results.

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

Forever Goodbye 自 君 別 後 (1955) aka Since You Went Away is a Hong Kong Mandarin-language drama film directed by Wang Yin, filmed in Australia and produced by Shaw Brothers Studio. It stars Sek Ying, Chao Lei, Yang Chi-Ching and Wu Chia-Hsiang. This is loosely based on John Luther Long's "Madame Butterfly".

A Shaw and Sons production.

A Midsummer Night's Love is about a couple, Li Yuqin and Zhang Tianshi, who faked their marriage but the lies became real, unleashing a series of comic situations.

HK horror film.

An early Musical by the Hsin Hwa Motion Picture Company.

A Shaw and Sons production

No synopsis available yet.

No synopsis available yet.

Hong Kong horror movie from 1952.

HK horror film.

HK horror film.

An early Drama by the Daai Wa (Da Hua) Film Company

Hong Kong horror movie from 1956.

The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhen Fei.

Four sisters, each with their different characters, embark on their separate roads to romance. Elder sister has vast experience of romance; second sister is predisposed to vampiness and wantonness; third sister is righteous and of noble character; fourth sister is just reaching puberty and experiencing the pangs of first love. Being sentimental, flirtatious and amorous, the four sisters form a backdrop conducive to songs and tripping the light fantastic.

The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

A girl moves into a mansion with her father and falls in love with the painter she tries to evict.

Nurse Lin is hired by a wealthy family to care for Mr. Kao, who has lost his mind since his daughter, Ling Kuan, died. As Lin resembles Ling Kuan, her nanny asks Lin to impersonate her to help Mr. Kao recover, which works well. Lin then uncovers a secret: Ling Kuan had loved a music teacher, Qiufan, but her cousin, Yiu Tong, envious of Mr. Kao’s wealth, slandered Qiufan. One night, Yiu Tong attacked Qiufan and attempted to assault Ling Kuan, accidentally killing her. To cover up the crime, he staged her death as a suicide. Later, Nurse Lin and Qiufan, pretending to be ghosts, trick Yiu Tong into confessing. In a panic, Yiu Tong escapes, but his mistress Huigu causes a fire that kills them both. Disheartened by the truth and his burning home, Mr. Kao walks into the flames.

Chin Ping Mei 金瓶梅 (1955) is a Hong Kong feature film written by Ku Wen-Chung and directed by Wang Yin, it was produced by Shaw Brothers Studio. This is an adaptation of the Lotus Pan tale.