Wrik Mead

An experimental film that merges Super 8 and 16mm formats to examine the presence of queer intimacy. At its center are two shirtless men, locked in an embrace, dancing — a quiet yet radical act. Overlaid with hand-inked 16mm film, their bodies become both seen and obscured, highlighted and erased. Through this layered process, Marked reflects on how queer love is shaped, celebrated, and scarred by the society that surrounds it.

Animated magazine cutouts of two men having sex lead into appropriated gay porn images, blurred to the point where they become abstract colour and motion. All this is set to pastoral sounds, sex noises, and a reporter's voice-over about the RCMP’s “fruit box” experiments - official and ludicrous attempts to expose closeted gay men.

"Broken Relationship" moves through a kaleidoscope of colour and pixels to fragments of embraced bodies. Using glitched video footage from classic porn, the broken and distorted imagery speaks to the difficulty that the LBGTQ youth encounter when trying to navigate through their sexuality and relationships. Easy access to pornography means that many young people are learning these important life lessons through a distorted lens. This is especially true of the LGBTQ community where access to information is difficult to acquire from their family, teachers or even friends. The glitched video images mimic the broken messages that much of the porn industry communicates, certainly not the birds and the bee's stories that most youth grow up with.

The curtains are drawn, a clown stands in the spotlight, the reception is dismal. Before s/he can even begin to perform, debilitating fear takes over. Both sad and humorous, this film explores how one can be manipulated by the depths of fear.

"Hoolboom" is a film that Arts Toronto commissioned local filmmaker Wrik Mead to make based on his impressions of fellow filmmaker Mike Hoolboom. With some collaboration from Mike, Wrik has produced a film about the body, self-awareness, and the art of film.

"Hoolboom" is a film that Arts Toronto commissioned local filmmaker Wrik Mead to make based on his impressions of fellow filmmaker Mike Hoolboom. With some collaboration from Mike, Wrik has produced a film about the body, self-awareness, and the art of film.

Based on real-life experiences, “camp” recounts the stories of homosexual survivors of the WWII concentration camps. A series of short, expressionistic vignettes weave together these horrific experiences. Part documentary, part drama, “camp” uses a variety of mediums to explore the emotional reality of those marked with the pink triangle.

A short film that touches on sexual orientation, homophobia and acceptance. An animated figure swings at the viewer while a robotic voice whispers so that no one around him can hear. Slowly descending into self-doubt, he questions his choices and what he has become.

Mixing fact and fiction, this film tells the story of Dr. F.R. Wake and his bizarre creation, which became known as "the fruit machine." In the 1960s, Wake was hired by the Canadian government to devise a series of tests that would expose homosexuals working in the civil service. This modern retelling reveals that Wake may have had a few secrets of his own.

Through pixilation a male centerfold attempts to embellish his features only to take on more than he can handle.

Through pixilation a male centerfold attempts to embellish his features only to take on more than he can handle.

An experimental film that merges Super 8 and 16mm formats to examine the presence of queer intimacy. At its center are two shirtless men, locked in an embrace, dancing — a quiet yet radical act. Overlaid with hand-inked 16mm film, their bodies become both seen and obscured, highlighted and erased. Through this layered process, Marked reflects on how queer love is shaped, celebrated, and scarred by the society that surrounds it.

An experimental film that merges Super 8 and 16mm formats to examine the presence of queer intimacy. At its center are two shirtless men, locked in an embrace, dancing — a quiet yet radical act. Overlaid with hand-inked 16mm film, their bodies become both seen and obscured, highlighted and erased. Through this layered process, Marked reflects on how queer love is shaped, celebrated, and scarred by the society that surrounds it.

An experimental film that merges Super 8 and 16mm formats to examine the presence of queer intimacy. At its center are two shirtless men, locked in an embrace, dancing — a quiet yet radical act. Overlaid with hand-inked 16mm film, their bodies become both seen and obscured, highlighted and erased. Through this layered process, Marked reflects on how queer love is shaped, celebrated, and scarred by the society that surrounds it.

Arising from the earth, a body discovers its nakedness. A suit of armour becomes a metaphor for the trappings of identity. Pixilated to produce the effect of a human marionette, accompanied by a good-natured verse.

A devil makes a violent attempt to change himself into a heavenly creature. His evil process backfires when he is confronted with the creatures from within.

This film is based on one year in the filmmaker's fractured life. Rotoscoped figures are layered with stills and live video footage to create an open narrative based on events in his life that took place in 1975. He was 13 and this was a pivotal year for him in many ways. He discovered the magic of animation and was hooked. He made his first animated film with his best friend, they locked themselves away for the whole summer to complete it. 1975 was also the year that he had his first sexual experience, with said best friend. It was a time of great excitement, confusion, fear and withdrawal.

This film is based on one year in the filmmaker's fractured life. Rotoscoped figures are layered with stills and live video footage to create an open narrative based on events in his life that took place in 1975. He was 13 and this was a pivotal year for him in many ways. He discovered the magic of animation and was hooked. He made his first animated film with his best friend, they locked themselves away for the whole summer to complete it. 1975 was also the year that he had his first sexual experience, with said best friend. It was a time of great excitement, confusion, fear and withdrawal.

A master drags out his slave and attempts to control him. Things go terribly wrong. Every touch of the slave produces a distortion that encompasses the master. Who exactly is the manipulator? The slave, the master, or the filmmaker?

When you wake up and you have so much to do that you just want to go back to bed. The illusion created by shooting the entire film in reverse emphasizes the entire cycle of life.

Naked male body meets crumbling brick wall... in an embrace?

A lonely lighthouse keeper rescues his fantasy: a frostbitten man on the rocks.

“Deviate” is a short Super 8 film made specifically for the Memorial Project. While friends of Dan Moyen, who died of AIDS in 1990, talk about him, the viewer sees old footage of Dan expressing his feelings on the matter.

Two male blow-up dolls become puppets in this short. Not only is one of the men out of air, but both of them are tragically out of synch with one another.

Homebelly combines waking dreams with unsettling fragments of this and that. An icy soundscape is set to a live-action animated drama featuring a sleeping body and a persistant rock.