Megan McMurchy

Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.

A filmmaker makes a documentary about a photographer. David Edwards has been taking photographs of naked men for the past 11 years. But in this case, who is the voyeur and who is the exhibitionist? An examination of the nature of looking.

Two women living in the same apartment block are drawn to each other as if through the power of a shared fantasy.

BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.

Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.

Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.

A filmmaker makes a documentary about a photographer. David Edwards has been taking photographs of naked men for the past 11 years. But in this case, who is the voyeur and who is the exhibitionist? An examination of the nature of looking.

Two women living in the same apartment block are drawn to each other as if through the power of a shared fantasy.

Two women living in the same apartment block are drawn to each other as if through the power of a shared fantasy.

Two women living in the same apartment block are drawn to each other as if through the power of a shared fantasy.

BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.