Sun Jinglu

Touching Starlight is a true story about a young girl, Chen Wei, an aspiring dancer whose hopes and dreams for the future are dashed when her leg is amputated due to cancer. To encourage others to overcome their handicaps and to live successful and productive lives, Chen Wei starts a local radio talk program, "Starlight," which also works to address the acceptance of the handicapped by the community at large. Unfortunately, though the radio program proves to be immensely popular due to her hard work and the tireless support of her numerous friends, Chen Wei is forced to leave when it's learned that her cancer has spread, becoming terminal.

Set in the period just after ten years of chaos, several love stories associated with the tourists on a bus indicate more meanings of love.

Public Security officers investigate the robbery of a post office and the injury of a young woman.

A former KMT general returns to China and find his mother after years of separation.

Love story of a young calligrapher and the daughter of a supreme government official in ancient China.

A story about promotion of the birth control policy in a traditional Chinese rural village.

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No synopsis available yet.

A magician comes back to Shanghai to find his son separated twenty-five years ago.

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The government sends caravans to Miao villages periodically to provide goods which facilitate the folks. A detachment protects the caravans from robbery.

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No synopsis available yet.

Performer Fang Zhenzhu is persecuted by both the collaborationist government under Japanese occupation and the Nationalist government after World War II. His life begins anew after Liberation.

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As China falls into hyperinflation following the end of the war, people fought tooth and nail to get their hands on the only reliable currencies in the world: gold and American dollars. This is a story that shows how seven bars and two thousand US dollars bring together an interesting mix of characters: an opportunistic manager, a materialistic courtesan, a con artist posing as a commissioner of the Treasury, a white-collar worker who will do anything for a promotion, a man who specialises in conning women, a father who marries off his daughter for money and a sorcerer who fakes his magic. In this dog-eat-dog world, the only truth is that everyone is lying for his own gain. Playing the courtesan who longs to be part of high society, Li Lihua steals the film with a feisty performance opposite the amusing Yan Jun, whose con artist character has a tendency to flirt with lyrics from Peking operas.

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Li's first directorial work in Hong Kong is adapted, by himself, from the Hollywood movie The Great Lie (1941) starring Bette Davis. When a husband disappears in an accident, the wife is dismayed by a social butterfly pregnant with her husband's child. To preserve the husband's blood line, the wife takes care of the expectant mother and raises the child. Featuring the two ravishing beauties Li Lihua and Sun Jinglu, Our Husband foregoes juicy feuds between the leads and delivers an allegorical message: parents should provide an ideal environment for the next generation. Addressing the rocky times in China, it is equally overt in its remonstration as Yung Hwa's earlier works, The Soul of China and Sorrows of the Forbidden City.